Apart from say the different delay modes on each one (that would take alot to type out...) these are the main differences.Wes Mantooth wrote:I'm being lazy and not looking it up but what are the main differences between the DD 5, 6 and 7?Ancient Astronaught wrote:Boss DD-5 or DD-6 (depending on what options you want), I went from a DD-5 to an El Cap back in the day and what your looking for was immediately what I missed about the boss delay. Even under extreme gain the repeats were punchy, audible and crisp. The only other delay I've heard that a similar quality is the Moog MF-104M, mainly thanks to the input and output gain controls.hollowhero wrote:So I sold my el cap and now I need to find a new delay. My issue with the el cap (and tape delays) is that the repeats are washy and sit back in the mix. I want something with very punchy repeats that have a sharp/crisp attack. I'm debating between the EA AD4096, Malekko 616, Sunny Day Delay, (after selling a kidney or 2) the Moog Delay. Any advice?
I've never wanted my delays to be too punchy for the most part, but when I do the DD7 does the job well enough for me.
DD-5 = Mono In but also Tap Tempo in
DD-6 = Stereo in / out but no tap tempo
DD-7 = Stereo in / out + tap tempo




