Wes Mantooth wrote:Ancient Astronaught wrote:hollowhero wrote:So I sold my el cap and now I need to find a new delay. My issue with the el cap (and tape delays) is that the repeats are washy and sit back in the mix. I want something with very punchy repeats that have a sharp/crisp attack. I'm debating between the EA AD4096, Malekko 616, Sunny Day Delay, (after selling a kidney or 2) the Moog Delay. Any advice?
Boss DD-5 or DD-6 (depending on what options you want), I went from a DD-5 to an El Cap back in the day and what your looking for was immediately what I missed about the boss delay. Even under extreme gain the repeats were punchy, audible and crisp. The only other delay I've heard that a similar quality is the Moog MF-104M, mainly thanks to the input and output gain controls.
I'm being lazy and not looking it up but what are the main differences between the DD 5, 6 and 7?
I've never wanted my delays to be too punchy for the most part, but when I do the DD7 does the job well enough for me.
Apart from say the different delay modes on each one (that would take alot to type out...) these are the main differences.
DD-5 = Mono In but also Tap Tempo in
DD-6 = Stereo in / out but no tap tempo
DD-7 = Stereo in / out + tap tempo




It's the last "pedal" I need to complete my home board, I use a timeline on my gigging board because I feel that the subtle differences in quality and the sterility actually helps with my live tone, that and I need all the different presets for different songs.
