mr. sound boy king wrote:
Organic apples are not normal, they are special, like analog, whereas normal apples, like digital, taste sterile and lack warmth.
I'm not complaining about the $200 initial price tag, very fair considering the limited availability and DBA's penchant for high prices.
But that's ALL this pedal is worth, def cool, but anyone spending $500-$600 to acquire is in store for a serious letdown and some heavy duty buyer's remorse.
Now the eBay buyer's remorse just got real haha! I bet this limited run was for the glow-in-the-dark finish and Ty Segall autographed enclosure. I got a signed Ty Segall record in the mail too a couple days after the pedals, wasn't aware that was a part of the deal. Shit, I didn't even know who Ty Segall was until now...
They'd do well to address the volume boost once it hits production, good to go beyond that.
jb2106 wrote:I've sent an email to DBA and they'll be coming out this year with a production model of the pedal ! They said probably in Fall !
Yeaaaaaah !!!
Hahahaha that's great news!! That'll hopefully put a dent in the plans for the profiteering douchebags. Wonder if the price will be the same, or if there'll be any other tweaks to the circuit??
Good Transactions With:
Achtane
in2thegapagain85
Proroby
zezozeceglutz
MEC
echobaseone
Skullservant
Rob Fossil
Psyre
Opened it up last night after I got it and I can confirm that it's a Belton brick verb. The subtle eerie modulation makes me believe that it is a Long Decay Brick (also with how damn long the decay is, jeez). I think that it is set up similarly to the Rub A Dub, and that the gain control simply is a high enough value for the op amp to give it some OD/Fuzziness. Lastly the feedback pot has to be a really small value because I had tried putting a feedback pot onto a Rub A Dub that I made and it started oscillating almost immediately with like not even a 16th of a turn of the knob.
Anyways, I dig it! I didn't realize how much of a black hole it was going to be when I plugged it in. About a quarter of a turn through the mix knob you get almost full wet.
As Schnikes said, there is a bit of bleedthrough with the feedback control, so if you've got the gain cranked and the feedback up you can hear it a bit when bypassed.
I also noticed that even if you have the gain at 100% it will start to feedback regardless of where the feedback control is.
I enjoy how your signal gets fuzzy and kind of lost, but I like to control the feedback with the knob, so I keep the gain at about 9/10, the mix about 4/10, and the feedback anywhere from 1-5/10 on the dial.
If they do what they did with the Echo Dream, hopefully this will be one of the most affordable DBA's!
EDIT: I did notice a very slight volume increase with the gain anywhere higher than about 2-3 on the knob, but if you keep the gain relatively low there wasn't much of a jump that I noticed. Adding a volume knob to it isn't hard at all and like Schikes said, there is definitely room for it inside and out.
Yeah, I got Dunwich Nick on the case already, gonna throw a master output control in that big empty spot. Def a keeper for me after that. I'll have it in a true bypass loop so I'm alright with that bleed. The Echo Dream 2 had some bleed as well but get zero with my original ED which is nice.
skullservant wrote:I gotta take a look and see what type of grounding they are doing on their circuits now for that little bit of bleed to be coming through