DarkAxel wrote:Always try to find something that's difficult for you
MAKE UP your technical excersices, in a way so they're difficult for you
don't practice what you think you could use, practice what you're interested in and whatever that catches your eye... you can never use it until you know how to do it, sou you'd be taking it by the wrong end
Exactly, do crazy shit like covering Dub Trio or sth. Took me 2hours to do one minute *shy* But now I feel like a champ, LVLUP! (I still suck tho )
rfurtkamp wrote:Bastard stepchild of modern delay times/looping and a Lexicon Vortex would have me whipping out the credit card faster than a hooker at a coke convention.
madmax1012 wrote:Listening to people like Carson mcwhirter always makes me go into "fuck I need to get better" mode.
Ding ding ding. He's a big influence on me and as I watched the terror eyes video for Watchers today trying to be aware of his patterns/progressions. I wanna do that again and try to consciously learn from it.
I also really liked that form improv idea. Gonna have to try that one, too. I wish I had a drum set/place to play.
D.o.S. wrote:I'm fucking stupid and no one should operate under any other premise.
whenever I want to improve upon technique and that sort of thing, I play without plugging in at all. Usually results in me picking up the Mosrite, bending the bridge as I finger pick. Also, trying to emulate non-guitar/bass music with guitars and bass helps me come up with a few neat things.
DarkAxel wrote:Yeah, listening to good people and watching their videos on youtube also keeps me motivated
Yup. I've lately taken to finding a riff I dig, figuring it out, then taking that same idea and tweaking it and looping over it. Having both of my basses and my pedalboard less than 5 feet away from me at my desk helps a lot with that regard.
blooghost wrote: Also, trying to emulate non-guitar/bass music with guitars and bass helps me come up with a few neat things.
yes. especially when effects get involved, there's lots of ideas to be found here. ring modulators and octavers can get you into sitar territory; the right fuzz into a volume pedal and deep reverb is a horn section, add some envelope filter and they're muted; your chorus pedal can be a poor man's Leslie with a knob twiddle or two. when you've got a moderately complex pedalboard, you've really got a hella primitive modular synth. if you approach it thus, all kinds of timbral mischief is possible.
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet
rfurtkamp wrote:Bastard stepchild of modern delay times/looping and a Lexicon Vortex would have me whipping out the credit card faster than a hooker at a coke convention.
or playing something on a different instrument than it was written/intended for. trying to play keyboard music, which often has huge leaps between pitches, will keep your guitar fingers busy.
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet