SPACERITUAL wrote:I think were going to need full frontals....
How about some dissassembly pictures from a while back: Some motherfucker replaced the original bridge pickup. The body's routed for a humbucker but there's a Lace Sensor in there now. I swapped out the pearl pickguard for black when the pearl shrunk too much for the screws to go in straight. I've still got the old one.
Here's an artsy picture of the Pacifica: The GFS Dream 180 is incredible. I think I'm going to get one for the Blacktop Jag.
SPACERITUAL wrote:I think were going to need full frontals....
How about some dissassembly pictures from a while back: Some motherfucker replaced the original bridge pickup. The body's routed for a humbucker but there's a Lace Sensor in there now. I swapped out the pearl pickguard for black when the pearl shrunk too much for the screws to go in straight. I've still got the old one.
Here's an artsy picture of the Pacifica: The GFS Dream 180 is incredible. I think I'm going to get one for the Blacktop Jag.
NICE GUITAR! I would love to see a full body shot of that.
my first "real" guitar. 2007 american standard strat. threw a seymour duncan JB in the bridge, and it's my go to guitar. nothing feels as right as this thing does.
Fuzzy Fred wrote: please excuse me. can we keep this discussion civil and about donkey fucking?
hbombgraphics wrote:Why does it have to be Digital, but with an analog soul and buffalo semen???
ms1012 wrote:my first "real" guitar. 2007 american standard strat. threw a seymour duncan JB in the bridge, and it's my go to guitar. nothing feels as right as this thing does.
For as cool as some of those Zematis guitars are, it all really comes back to this, a plain simple rock machine!
retinal orbita wrote:Shocking that one doesn't need 2000k in boutique pedals to do interesting things anymore....
I saw this picture of Hendrix, all he used was a wah.... And not even the Jim Dunlop Jimi Hedrix wah, just some old thing.....
Jimi didn't realise the horrible tone suck we had to listen to every time he used that wah.
Thanks for looking Toonster. It really is awesome. It was made right here in the city I grew up in too. That has always made it special to me too.
Ragged Trousers wrote:
retinal orbita wrote:Shocking that one doesn't need 2000k in boutique pedals to do interesting things anymore....
I saw this picture of Hendrix, all he used was a wah.... And not even the Jim Dunlop Jimi Hedrix wah, just some old thing.....
Jimi didn't realise the horrible tone suck we had to listen to every time he used that wah.
i was told that this is where the basses are to be posted also. but he IS a tricky little monkey, the one that told me, so maybe i'm committing a horrible faux pas right now. yay!!!
anyways, first nice bass i've owned. got it about 3 weeks ago. haven't put it down but 6 minutes since then. love love love love LOVE this little Sunburnt Mermaid. Sheldon Dingwall is the MAN.
yahp. pure and utter bliss.
Eric! wrote:YOU'RE like having two pedals in one
with your...momentary fuck switch and all..
not really that different. up until the 14th fret, it took about 5 minutes to adjust to. nothing. i'm still a little uncomfortable 14+, but that's 'cause i'm watching myself too much i think.
because i'm so dayum pretty, i can't look away from any part of me.
oddly enough, tapping is a little more intuitive and easier.
Eric! wrote:YOU'RE like having two pedals in one
with your...momentary fuck switch and all..