A C, an E-flat, and a G go into a bar. The bartender says: “Sorry, but we don’t serve minors.” So, the E-flat leaves, and the C and the G have an open fifth between them. After a few drinks, the fifth is diminished: the G is out flat. An F comes in and tries to augment the situation, but is not sharp enough.
bigchiefbc wrote:We've had quite a few of these threads before, here is my standard answer.
One of my favorites is used a lot in the Deftones' "Root", which is an E maj 7 flat 5. Sometimes I actually tune my guitar to this chord (it's also cool because it has the "devil's interval" in it):
0 0 0 1 1 0
Isn't that an Emi7 flat5? Not trying to be snooty, just trying to see if I know any theory at all ever..
Well the D# is a major 7th to the E. A minor 7th would be a D instead. So that would be:
0 0 0 0 1 0
EDIT: Ah, I see what you mean though. The open G is a minor 3rd, not a major. Hmm. So this is a fucked up chord then
Last edited by bigchiefbc on Sun Oct 24, 2010 9:36 pm, edited 1 time in total.
bubstance wrote: Actually, if we want to get REALLY technical, the "Root chord" is an Em/maj7 b5. It has E-A#-D#-G-B-E in it. That's E as the root, b5 (A#), maj7 (D#), and m3 (G).
Yeah, I was just gonna edit my post to say that it was an Em (maj7)(b5), but ya beat me to it
bubstance wrote:Ah, I see. I made the same mistake for a long time. Yeah, each is different. Cmaj7, Cm7, and C7 are three totally different chords (major, minor, and dominant).
wtf, C7 means dominant? D; i thought the capital C implied that it was major. ah well, it makes sense that way. Cdom looks kind of silly.
mathias wrote:I heard that Tom Dalton read a book on how to grow online communities around your business. But he thought it was too much work so he just created a forum full of alts. You and I are the only real people.
bubstance wrote:Actually, I went to ask my girlfriend what she would call it (to get a different opinion) and her response was "You mean besides ugly?".
hehe ugly for a reason, that is a fucking pissed off song