ilovefuzz.com

mauerkraut wrote:How will it track a bass? will it glitch out quick?

I wanna crank that sub shake tooshies

I'll quote the Facebook comment to that question

It can't really track the sub frequencies of a bass very well. It works from about the 10th fret up but the "sub" comes out as pulses because the frequency is to low to divide. Noise makers would probably love it. We are working on some bass centered effects though.

...so, I'd be thrilled if I was proven wrong, but according to my earlier experience with octave down fx - not this one - and the quoted answer to my question, it might not be Your choise for synth bass if You wanted it to actually track the bass notes..
...BUT perhaps You're looking for gnarly squarewave synth sound with a warbly glitch low end noise...

One has to remember also that only a very few bass octavers either can track notes below A, and getting slightly glitchy with the tracking sometimes juts adds to the charm

This is awesome. I might just have to be a bass tester on this one.

Sounds really cool, and like a completely different beast than the Subdecay Octasynth. It seems like with the BIt Commander you get lots of control over the octaves and the Octasynth gives you more control over the (resonant) filter. Very cool Jamie!

Jero wrote:This is awesome. I might just have to be a bass tester on this one.

I would totally try it on bass. Not afraid of the low glitching one bit...

Get it? BIT? Cuz it's the Bit Commander?!? HA!!!

Alright, spill. What's that awesome octopus skull critter gonna be on?

Nvrmnd--found it--beginnings: good times.

But that makes for my two favorite EQD graphics ever, oop.

hclapp219 wrote:Sounds really cool, and like a completely different beast than the Subdecay Octasynth. It seems like with the BIt Commander you get lots of control over the octaves and the Octasynth gives you more control over the (resonant) filter. Very cool Jamie!

They are both phantasmagorically great--it's amazing that two such devices, so similar, and yet so individual, have come out in such a short space (shades of the Subdecay Quasar DLX and Empress Phaser). This is no mere human conspiracy; it has to be directed by an outside intelligence hellbent on humanity's destruction. There truly is no relief for the meme GAS: it will consume this rock we call home. [Needs octopus skull emoticon.]

Dandolin wrote:[Needs octopus skull emoticon.]

You mean, like, Cthulu Rylaeh? (Probably spelled that wrong ...maybe that's a good thing? )

StudioShutIn wrote:

Dandolin wrote:[Needs octopus skull emoticon.]

You mean, like, Cthulu Rylaeh? (Probably spelled that wrong ...maybe that's a good thing? )

Oh, he would do...if you wanted to open a crack in reality leading inexorably to the subjugation of this plane of existence to a reign of endless darkness.

my mxr bass octave tracks to around low G to F#.... I will at least take my chances and see how it is. You can just run a really bright tone on the bridge pickup and the harmonics should hang on for tracking. If it can go down to a low D in standard, I'd be fine.

I'm guessing we don't hear any chords in the demo because it would be a mess.

dmcmahon wrote:I'm guessing we don't hear any chords in the demo because it would be a mess.

Yeah, I would guess that to be the case. From the EQD site:

Bit Commander Guitar Synthesizer
The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. It’s no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.

Like all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves.

Just ordered one...I'll let you guys know how it sounds on guitar and bass

Do these (and other EQD pedals, for that matter) come in custom colors? or is it just WYSIWYG?

StudioShutIn wrote:Do these (and other EQD pedals, for that matter) come in custom colors? or is it just WYSIWYG?

No custom that I'm aware of, but there are usually one or two color schemes made eventually, some in limited batches.

ugh

this sounds incredible...