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The Mastery is truly a feat of engineering beauty... Too bad they don't fit in CP Jazzmasters...

sonidero wrote:The Mastery is truly a feat of engineering beauty... Too bad they don't fit in CP Jazzmasters...

Yeah, that sucks, didn't even realize that.

They didn't miss anything when designing that thing tho, got that shit totally right in every way!

Holy Schnikes wrote:

sonidero wrote:The Mastery is truly a feat of engineering beauty... Too bad they don't fit in CP Jazzmasters...

Yeah, that sucks, didn't even realize that.

They didn't miss anything when designing that thing tho, got that shit totally right in every way!

Yep as soon as I get an AVRI it's on... To fit the CP you have to dowel and re drill the holes to fit their thimbles, found out the hard way but Mastery were excellent about a refund...

sonidero wrote:

Holy Schnikes wrote:

sonidero wrote:The Mastery is truly a feat of engineering beauty... Too bad they don't fit in CP Jazzmasters...

Yeah, that sucks, didn't even realize that.

They didn't miss anything when designing that thing tho, got that shit totally right in every way!

Yep as soon as I get an AVRI it's on... To fit the CP you have to dowel and re drill the holes to fit their thimbles, found out the hard way but Mastery were excellent about a refund...

Was it close? Just barely off or what??

I wouldn't have been down to dowel and re drill either unless the guitar was an ABSOLUTE keeper.

Holy Schnikes wrote:Was it close? Just barely off or what??

I wouldn't have been down to dowel and re drill either unless the guitar was an ABSOLUTE keeper.

CP holes were a hair too big... I could've wrapped tape around it but the whole idea is that the metal makes contact with the wood for them thar TOANZZZ... MY CP was cheap and after buying the Mastery that was all I was willing to put into it... The thought of wood working on it was not something I was willing to tackle especially since I didn't have an issue with the bridge that was already on there... I just wanted to be Thurston Cline...

sonidero wrote:

Holy Schnikes wrote:Was it close? Just barely off or what??

I wouldn't have been down to dowel and re drill either unless the guitar was an ABSOLUTE keeper.

CP holes were a hair too big... I could've wrapped tape around it but the whole idea is that the metal makes contact with the wood for them thar TOANZZZ... MY CP was cheap and after buying the Mastery that was all I was willing to put into it... The thought of wood working on it was not something I was willing to tackle especially since I didn't have an issue with the bridge that was already on there... I just wanted to be Thurston Cline...

If its just a matter of to big, take some shavings from a planer and wrap the posts with wood. I've done this with a Les paul and it's invisible and have had zero problems with it. I think I used maple shavings?

Sonny=Threadkiller

sanfordandsonny wrote:Sonny=Threadkiller

In other news dasychaing a 200S into TV200 running tree 15s is the shit

sanfordandsonny wrote:Sonny=Threadkiller

As VP I'm here to help...

I made it!

John and Trey thanks for speaking of my band in a favorable light. We're not worthy!

Also, MY GOD THIS WHITE JAZZMASTER

I never heard the song Heavy Friends until last night.

Silver Fenders are the best of the best of the best of the FUCKING BEST for fuzz playing. I would probably be fined in certain states for the way I love my Bassman. And I have used some extravagant amps at times.

Speaking of righteous amps the only reason I don't use my radical Dunwich Stonehenge is because I am a dunce who thought a NMV amp would do what I needed. I'll probably sell it soon and step up to something different (more Fendery) from Nick. I was thinking a Bassman 135 clone with a loop. And perhaps Deep and Bright on pots instead of switches so I could dial the amount.

Anyhow I feel compelled to talk about this silly amp I just got. It's called a Lab Series L4. 200 watt solid state bass amp. I used it for guitar at AW practice the other night and it was amazing. It is now the official backup amp for road duties. I don't know what else to say but I wanted to say something because I can't stop thinking about how well it stacked up. You know.

Okay I've been getting psyched to hear the new Brothers of the Sonic Cloth stuff. That's Tad's band by the way. The new stuff may be a ways off but this is pretty sweet:

[youtube]http://www.youtube.com/watch?v=KUJ1WojwDJY[/youtube]

Anyways, glad to be here. Thanks in advance for putting up with me.

LAB SERIES are nice, loud and clean... TAD rules and that new stuff sounds good, I miss Neumos...

Neumo's is alright for seeing a show. But you sure gotta be an A-lister to play there and bring home any of the money that all the rockers hand over at the door. Their payout policy is downright oppressive if you're not selling the place out.

D-Day wrote:I made it!

Speaking of righteous amps the only reason I don't use my radical Dunwich Stonehenge is because I am a dunce who thought a NMV amp would do what I needed. I'll probably sell it soon and step up to something different (more Fendery) from Nick. I was thinking a Bassman 135 clone with a loop. And perhaps Deep and Bright on pots instead of switches so I could dial the amount.

you know where to find me! I would be stoked to build another one for ya!

AxAxSxS wrote:Also, I'm not gonna quote it, but AngryGoldfish's rant/speech was spot on. I may have to quote that elsewhere. Believe me guys this kind of music is in no danger of going "mainstream" Out of the countless musicians I've dealt with from cl over the last year, a grand total of ONE was on the same page as me musically. Typical comments- "That sounds really good. Why do you play it so slow?" "that sounds really good, do you like Tool?" That sounds really good, you should get some newer amps" "whats a Red Fang?"

That was a hilarious read!

I don't know if you guys have seen this interview: http://www.youtube.com/watch?feature=pl ... 1eE#t=155s but it is about how Yob was put together and how no one knew what doom was.