manymanyhaha wrote:I love the 1010 Blackbox. It is very easy to use, spent minimal time getting up and running with it.
But it is a very simple straight-forward device. If you are looking for lots of effects, weird random sequencing or other more esoteric features or even to just be surprised every once in awhile with a feature you did not know about, the blackbox is not for you. But for my purposes, it is perfect.
Agreed. Less of a sound design tool than an MPC or Elektron device for sure. Based on what the OP was saying it seemed like they wanted something straightforward. Having said that, between the new multi-sampling per pad, chromatic playback, and granular mode, you have a lot of options for destroying/mangling or at least creative sample choice. If you're using in conjunction with another sequencer or DAW, you can use MIDI CC learn to modulate things loop length, playback speed, etc.
coldbrightsunlight wrote:I'm ok with stretching artefacts, I quite like them most of the time. The demo I heard of the blackbox was certainly good enough for my purposes - but I don't mind a bit of grit and weirdness in samples.
I like the grit too, but I prefer it from transposition to get that fat gross sound (ie pitching down drums or pianos from jazz a record...same effect of slowing down a tape which changes the pitch and speed...think SP-1200 ring or Ensoniq dirtiness). Whereas as straight up time-stretching/contraction and pitch shifting induces a less pleasing set of artifacts...at least to my ears....but then again that's fun to resample that time-stretched stuff and mangle/chop further. Either way all good fun and in the spirit of creative synthesis!