Darcy!
Totally in love with music corner! The mixing desk with the pedals underneath is freaking sick.
I also love your gear collection ( and could probably read 20 more ..... because GAS)
Moderator: Ghost Hip
THEBEERHAMMER wrote:Achtane wrote:Doom Weed, duh.
Doom seed is like...what you get when wizards jerk it.
Doom Weed produces Doom Seed.
BRO IS THIS EVEN KUSH??? IS BUFFERED? TRV BYPASS??? MY FRIEND DAMBLEDORE TOLD ME I NEEDED CRYSTAL LETTUICE.
Heraclitus Akimbo wrote:cosmicevan wrote:
Looks like a good time if I ever saw one!!!
It was indeed. Bonus setup: recording session for a new electroacoustic duo last night:
Sound sources included Electro-Faustus Blackfly, monotron, Søvnløs. Plus I brought a Pauline Oliveros-inspired piece for accordion.
friendship wrote:You motherfuckers think I won't fuck up a couple octoroks and assemble the Triforce?
friendship wrote:I got really bored yesterday and set up the Minibrute to run MIDI through the D-05 and to the Minitaur, and the audio outputs of all three are running into a submixer. 8 oscillators, 8 LFOs, 8 envelopes, pretty massive sound.
Dowi wrote:friendship wrote:I got really bored yesterday and set up the Minibrute to run MIDI through the D-05 and to the Minitaur, and the audio outputs of all three are running into a submixer. 8 oscillators, 8 LFOs, 8 envelopes, pretty massive sound.
Minibrute+minitaur sounds like a huuuge amount of nasty bass. How do you use the drumbrute? One thing I love about it is to route different effect(s) on each individual out and make it a standalone noise rhythm beast.
friendship wrote:Yeah it's a little overkill haha. In the In this DAWless setup, I'm using the main output and setting up simple grooves with carefully applied randomization so I can "jam" with the drums on guitar. When I use a DAW, all the individual outs get their own input, and I record the MIDI output in tandem. This way, I have discrete analog tracks to play with, and I can also use the MIDI track to replace or layer with samples. I can't get over my love my for acoustic drum sounds, and I have a couple good virtual kits, so this is very handy.
Dowi wrote:friendship wrote:Yeah it's a little overkill haha. In the In this DAWless setup, I'm using the main output and setting up simple grooves with carefully applied randomization so I can "jam" with the drums on guitar. When I use a DAW, all the individual outs get their own input, and I record the MIDI output in tandem. This way, I have discrete analog tracks to play with, and I can also use the MIDI track to replace or layer with samples. I can't get over my love my for acoustic drum sounds, and I have a couple good virtual kits, so this is very handy.
That's a smart move, and avoids writing drums on midi, which most of the time is just a PITA. The randomization on this one, when used cautiously, is super enjoyable too.
Totally get the love for acoustic drum sounds, but I just love the simplicity of the Impact. Everything is handy and easily tweakable on the fly, so adding a couple extra pedals to spice things up is not a big deal.
friendship wrote:death to false bleep-blop
…...........................…psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
friendship wrote: I have a couple other quibbles (would kill for a tuning knob on the snare, even a shared tuning knob for the two! and I wish the tom decay were longer--it goes from extremely short to very short) but all in all it's a really powerful machine, sounds great, and is fun to play! It feels like an instrument.
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