Breaking on Through (to the other side)
Posted: Mon Jun 13, 2016 4:47 pm
How do y'all find others to play music with? It just seems like there's an insurmountable wall of obstacles that prevents this for me. I would very much LIKE to play with others...work collaboratively to develop musical ideas...but how?
The last time I thought this was going to happen, I answered an ad on Craigslist, saying someone wanted to "start from the ground up" and wasn't skilled yet...was taking lessons as a guitarist...and just wanted to jam. Things seemed pretty good, when a bassist, a drummer, myself (guitarist), and a keyboardist all answered his ad. We met for coffee...everyone was at least within a 10 year age range, so none of the ageist bullshit became a problem (I'm a crusty old fart at 42). Then it became time to meet at the practice space (drummers living room) to "see what happens". Hilarity ensued.
I wasn't fully clear what "starting from the ground up" meant. Ignoring the fact that upon arrival, my gear melted down on me, and I then had to borrow a loaner guitar with a missing high E string from the drummer (yea, that's easy to compensate for on the fly), and play through a bass practice amp, things didn't go well. The keyboardist never bothered to show up, OR acknowledge our existence again. The bassist wanted to know where her sheet music was for what we were going to be playing. The drummer would immediately commence to jackhammering bricks into my skull with every last molecule of might he had, beating his drums well beyond any territory that a bass practice amp could dream of reaching, while the guitarist would burst into beautiful, high speed pentatonic scales in some key other than what we were attempting to play in. The fact that the drummer wasn't entirely clear about the need for each measure to have the same number of beats in it wasn't improving the situation.
I did my level best as the chaos continued through the evening, to lay out groups of 2 or 3 chords for us to jam on, and tried coaching the bassist on how to play to those chords without sheet music...and tell the other guitarist what scale would work well for those chords if he insisted on a non-stop, mind-melting guitar solo for 15 minutes at a time. Then the drummer would fire up, with his constantly variable rhythm, and all hope of hearing any other instrument or following a chord progression was lost.
Once spent, I politely thanked everyone as I was packing up my gear...I assume they thanked me too over my ringing ears, and then I drove home in a deep depression wondering how things went so terribly wrong. I was contacted a couple times via group e-mail to get back together...I was asked to be the group "chord progression wizard". The bassist complained about not having sheet music to follow. As such, I always found a reason to be too busy to meet up again after that first disasterous attempt.
I still have mild PTSD from the experience, and have since just receded into a cocoon of purchasing gear, and now designing and building gear...anything to avoid trying to find another set of hairless apes who are both accepting of me (again, crusty old fart of 42yo), respectful of music, and capable of playing at a reasonable volume, speed, in the correct key, and within a confined role within a band.
I have a friend from college, that I used to play electric bass with, while he played guitar. I was songwriter. My memory tells me that went great for what that's worth. Now that I play guitar, whenever I travel back to my hometown and we get together, it becomes battle of the guitarists. Short of me saying "here...play these chords in this rhythm" or "play within this scale", I can't understand really how to make coherent music with him. I know he's capable of doing that because he plays from sheet music for his church band, and would have been kicked out by now if he weren't obeying.
I dunno...I guess I just wondered what other's experience was with finding bandmates, or even just enjoyable collaborators who want the MUSIC to sound good...how you deal with playing music without written notation that dictates what each person must play...how you deal with people who have no respect for their volume or that of others in the band...etc.
I really would love to share my songwriting ideas with someone/someones and let them push them in new directions...and likewise, would love to show them my take on arrangements/harmonizing of their musical ideas...but that just seems like an impossible dream. I'm really great at getting along with anyone and everyone, so that's good...but I also really suck at telling someone "HOLD UP THERE TURBO...you're playing to damn loud and fast, this is not sonic warfare. II-V7-I is jazz...can you give me a little ride cymbal?!" Am I just attempting to play with people at too low of a skill level due to my own crippling self doubt? Also I tend to use ellipses too much...
At this point, I guess "solo artist" doesn't seem like such a bad gig, but I'd love to hear other's feelings on such matters.
The last time I thought this was going to happen, I answered an ad on Craigslist, saying someone wanted to "start from the ground up" and wasn't skilled yet...was taking lessons as a guitarist...and just wanted to jam. Things seemed pretty good, when a bassist, a drummer, myself (guitarist), and a keyboardist all answered his ad. We met for coffee...everyone was at least within a 10 year age range, so none of the ageist bullshit became a problem (I'm a crusty old fart at 42). Then it became time to meet at the practice space (drummers living room) to "see what happens". Hilarity ensued.
I wasn't fully clear what "starting from the ground up" meant. Ignoring the fact that upon arrival, my gear melted down on me, and I then had to borrow a loaner guitar with a missing high E string from the drummer (yea, that's easy to compensate for on the fly), and play through a bass practice amp, things didn't go well. The keyboardist never bothered to show up, OR acknowledge our existence again. The bassist wanted to know where her sheet music was for what we were going to be playing. The drummer would immediately commence to jackhammering bricks into my skull with every last molecule of might he had, beating his drums well beyond any territory that a bass practice amp could dream of reaching, while the guitarist would burst into beautiful, high speed pentatonic scales in some key other than what we were attempting to play in. The fact that the drummer wasn't entirely clear about the need for each measure to have the same number of beats in it wasn't improving the situation.
I did my level best as the chaos continued through the evening, to lay out groups of 2 or 3 chords for us to jam on, and tried coaching the bassist on how to play to those chords without sheet music...and tell the other guitarist what scale would work well for those chords if he insisted on a non-stop, mind-melting guitar solo for 15 minutes at a time. Then the drummer would fire up, with his constantly variable rhythm, and all hope of hearing any other instrument or following a chord progression was lost.
Once spent, I politely thanked everyone as I was packing up my gear...I assume they thanked me too over my ringing ears, and then I drove home in a deep depression wondering how things went so terribly wrong. I was contacted a couple times via group e-mail to get back together...I was asked to be the group "chord progression wizard". The bassist complained about not having sheet music to follow. As such, I always found a reason to be too busy to meet up again after that first disasterous attempt.
I still have mild PTSD from the experience, and have since just receded into a cocoon of purchasing gear, and now designing and building gear...anything to avoid trying to find another set of hairless apes who are both accepting of me (again, crusty old fart of 42yo), respectful of music, and capable of playing at a reasonable volume, speed, in the correct key, and within a confined role within a band.
I have a friend from college, that I used to play electric bass with, while he played guitar. I was songwriter. My memory tells me that went great for what that's worth. Now that I play guitar, whenever I travel back to my hometown and we get together, it becomes battle of the guitarists. Short of me saying "here...play these chords in this rhythm" or "play within this scale", I can't understand really how to make coherent music with him. I know he's capable of doing that because he plays from sheet music for his church band, and would have been kicked out by now if he weren't obeying.
I dunno...I guess I just wondered what other's experience was with finding bandmates, or even just enjoyable collaborators who want the MUSIC to sound good...how you deal with playing music without written notation that dictates what each person must play...how you deal with people who have no respect for their volume or that of others in the band...etc.
I really would love to share my songwriting ideas with someone/someones and let them push them in new directions...and likewise, would love to show them my take on arrangements/harmonizing of their musical ideas...but that just seems like an impossible dream. I'm really great at getting along with anyone and everyone, so that's good...but I also really suck at telling someone "HOLD UP THERE TURBO...you're playing to damn loud and fast, this is not sonic warfare. II-V7-I is jazz...can you give me a little ride cymbal?!" Am I just attempting to play with people at too low of a skill level due to my own crippling self doubt? Also I tend to use ellipses too much...
At this point, I guess "solo artist" doesn't seem like such a bad gig, but I'd love to hear other's feelings on such matters.
