Has anyone ever hired a publicist for music gear?
Posted: Thu Jul 09, 2015 6:06 am
I've got to figure out how to not mess up a crowd-sourcing campaign and after seeking some advice it seems that the only chance I have of hitting the target is to try get some kind of targeted exposure in the US. I'm from NZ, and if I targeted it locally it'll bomb for sure..
In a few weeks I should be able to disclose the invention I'm talking about, but it's small, and has a small margin. With a decent number of pre-sales, paired with pedal presales, I don't think it's impossible to get funded. From the point where the product is validated, I don't think it's impossible for it to be licensed by someone like Dunlop one day. It might sound like I'm dreaming, but the first place I'll post anything about it will be here and you're welcome to be the judge
I sort of get the feeling a publicist that charges a giant bag of money each month, but doesn't understand guitar pedals is not going to be good bang for buck.. Having someone on board who gets the product and has belief in it succeeding is really my best chance.
In a few weeks I should be able to disclose the invention I'm talking about, but it's small, and has a small margin. With a decent number of pre-sales, paired with pedal presales, I don't think it's impossible to get funded. From the point where the product is validated, I don't think it's impossible for it to be licensed by someone like Dunlop one day. It might sound like I'm dreaming, but the first place I'll post anything about it will be here and you're welcome to be the judge
I sort of get the feeling a publicist that charges a giant bag of money each month, but doesn't understand guitar pedals is not going to be good bang for buck.. Having someone on board who gets the product and has belief in it succeeding is really my best chance.