ilovefuzz.com

neonblack wrote:I realized that all I need to play my noisy stuff is an OD, Fuzz, and Suboctave, but I'm still getting a Warped Vinyl for so many reasons.

And I want a reverb to run sandwiched between my dirts. And I have a looper that I've only managed to incorporate into one song.

And I want a whammy for some lightning bolt pitch shifting tones. Maybe shift my suboctave fuzz up an octave cause why not.

My solution to the GAS vs usefulness dilemma is a PT Jr. Big enough for all the essentials plus one or two weird effects, and small enough to keep me from going overboard.

The board I'm sizing down from is a JR. I honestly just don't use much unless I'm playing really noisey music where a static set up matters a lot less.

Time to lock myself in my house and never see the outside world again.



Short, fun 5 minute video I did of this setup:

[youtube]http://www.youtube.com/watch?v=9TUcvvZ3SN8[/youtube]

Nice.

No more ammo containers for the DC? Weird.

its totally still in an ammo case.

BoatRich wrote:

neonblack wrote:I realized that all I need to play my noisy stuff is an OD, Fuzz, and Suboctave, but I'm still getting a Warped Vinyl for so many reasons.

And I want a reverb to run sandwiched between my dirts. And I have a looper that I've only managed to incorporate into one song.

And I want a whammy for some lightning bolt pitch shifting tones. Maybe shift my suboctave fuzz up an octave cause why not.

My solution to the GAS vs usefulness dilemma is a PT Jr. Big enough for all the essentials plus one or two weird effects, and small enough to keep me from going overboard.

The board I'm sizing down from is a JR. I honestly just don't use much unless I'm playing really noisey music where a static set up matters a lot less.

They have new models between a mini and a Jr. Its like the Metro 20 and Metro 24. Check them out. Might be a good in between. I had a Mini but it was always just a little too cramped.

D.o.S. wrote:Nice.

No more ammo containers for the DC? Weird.

It's still in the ammo case, I just take the door off the hinges so it doesn't get in the way.

Bass VI/Microbrute/general mess of a room

Strange Tales wrote:Time to lock myself in my house and never see the outside world again.

Try the Cloudbuster on 2 steps kinda slow with some glide and set the delay times just slightly off, like one at 2 and one at 2:35 in the afternoon...

sonidero wrote:

Strange Tales wrote:Time to lock myself in my house and never see the outside world again.

Try the Cloudbuster on 2 steps kinda slow with some glide and set the delay times just slightly off, like one at 2 and one at 2:35 in the afternoon...

I'll try that out. The Cloudbuster is one of those pedals that I still barely have my head around, it's a real piece of work.

That's the first time I've seen a Ravish Sitar on a pedalboard. I only see them up for sale.

What do you use it for, and with what pedals with what results? Clips?

BoatRich wrote: Bass VI/Microbrute/general mess of a room

tidy up your room you slag. it looks like a landfill site plus guitar.

UglyCasanova wrote:That's the first time I've seen a Ravish Sitar on a pedalboard. I only see them up for sale.

What do you use it for, and with what pedals with what results? Clips?

The Ravish and C9 are my newest additions. One thing I use the Ravish for is Sitar sounds but it has a lot going on. What I've started doing with this board is programming the -Up To- 17 notes for it to drone along to; swelling in the sympathetics with an EXP pedal into the C9 set to Mellotron or old Compact Key settings. Maybe throw it into some Reverse reverb and I instantly have a really pretty sounding or abrasive modulating swirls.

The C9 and Ravish work really well together because they both allow you to mix in the dry signal, so I don't always have to preset my ambient loops, I can just mix the dry in enough to cut through and have the noise follow me around.

Space bass

Calling neonblack for some black VI with matching headstock p0rn