ilovefuzz.com

Faustone Fuzz Unit…it makes me happy. Fucking awesome fuzz.

Eldritch Electronics The Old One with that starve knob

Dandolin wrote:Musket feels smoother, tighter, but less open on chords. Blunderbuss has more sizzle and edge on tha attack--feels a little more like a fuzzface or other transistor clipping fuzz in some ways or a hybrid of the two.

Blunderbuss gas rising.

skullservant wrote:LSTR was cool when I had it in that double BAT pedal, but it didn't really go well with the Pharoah in an A/B switching situation.
Blunderbuss is fucking awesome, more raw than the Musket which can sound kind of dull and grey in comparison.
ARC Big Green is also awesome, although I am biased my Tall Font is more on the fuzzstortion side of muffland and Aaron expanded on it with the 3 way tone switch for mids.

Forgot that the Big Green is based on one of your muffs. The Blunderbuss is sounding better and better.

kbithecrowing wrote:Just get a tone machine

I have somehow managed to never have a tone machine.

D.o.S. wrote:I believe the Amp on Fire was what preceded the Megalith.

Indeed. Whiskey had one for a bit, didn't he?

Uncle Grandfather wrote:Eldritch Electronics The Old One with that starve knob

Looking this one up based on name alone.

Uncle Grandfather wrote:

resincum wrote:come on now, UG! that's like me recommending dan's trimuff

true true, but there were some other unobtanium pedals mentioned so I figured why not turn the OP onto some serious GAS cause they do show up for sale and it would be in their interest to look into what it is
Also dibs on your never flip of that tri-muff

well if you ever want to drop that amp on fire maybe we can make a deal

t-rey wrote:

D.o.S. wrote:I believe the Amp on Fire was what preceded the Megalith.

Indeed. Whiskey had one for a bit, didn't he?

Yeah there have been 3-4 floating around here that I can remember. Usually you see them with a Black Russian base, though, not the NYC muff like UG's, which would make a fairly significant difference.

Yeah, I've actually only seen the Black Russian ones.

So, are Megaliths still highly regarded?

yassssssss

I finally got a chance to play a Megalith and I was impressed with the string definition, for being so fuzzy and saturated. Its kinda muffy. It doesnt do low gain really but you can dial back the roar if need be.

Tone Machines have this sweet mechanical whiring quality to it, kinda fuzzstortiony like a muff. But the octave is nasty, more so than a super fuzz but probably not as crazy as scrambler.

Wren & Cuff The White Elk Sustainer is über level, "only" available in Japan.

Our very own schlatte makes a mean uber muff. Choose your base, couple clipping options and dat pregain stage. Kind of like a megalith but can do lower gain.

do you also have a fuckin unicorn & chupacabra in your basement, UG?

resincum wrote:do you also have a fuckin unicorn & chupacabra in your basement, UG?

Masf Pedls x Phantom FX Sabbath is a heavy as fuck big muff too, also only available in Japan afaik. Only has one knob, only needs one knob

+1 on the Faustone Fuzz Unit....über tan tastic

recently acquired a deluxe big muff... totally blown away by it. $100 used at GC. they go for $120 new.

i guess mike matthews just sought out to create a muff that could do what some modern builders did; a muff that could sound like basically any muff with some tweaking...
a bass boost, high and low q switch, (and footswitchable second level and frequency for the mids... BOOM), an attack switch that blends in some clean frequencies for serious chord/note definition, and a really nifty gate that actually quiets it down dead silent!

kit rae did a great thingy on it and included some suggestions/templates on how to get certain sounds-






and if that's not enough for ya', here's shitty videos of me playing with it!
w a les paul-
https://www.youtube.com/watch?v=VPpDkVHCRgg

and an sg-
https://www.youtube.com/watch?v=vd5flxdnOX0

blah

Yeah, I actually like what EHX did with that.