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This is my sg....ive had it for 13 years. Its a prototype of the gothic series. It was made for the guy from disturbed but he never collected it so it sat in its shipping carton at mars music in orlando fla for a minute. Its a waaay thicker body than a normal sg and the neck is massive but it weights like 5 lbs. It sounds like god. I put some sperzels on it and a baphomet but thats really it. I want to change the pickups but theyre like.....destroyed by my picking and they look so good.

DIg that pick check on the upper horn. Always thought the crescent moon inlays were pretty rad.

Psyre wrote:DIg that pick check on the upper horn.

I disintegrate picks. Heavys last a little over an hour before they should probably just be changed because theyre worn down so low that im just beating with the tip of my finger. I switched to Vpicks and theyre holding up pretty well.

Thank good you saved that guitar from that douchecanoe in Disturbed

i wanted a g400 so bad
but that neck
it woulda doubled my suckage

and thanks delta
guess i wont be checking out douchecan....
i mean disturbed
unless you meant that in a good way

I got this Melody Maker SG for $262 bucks after it went on clearance at GC. Stock pickup was wussy, and the bridge was old school wraparound style. A Duncan Invaver, Tonepros locking bridge you can actually intonate. Tuned B-B with a custom D'Addario set.
Oh yeah, it also goes to 11, that was easily the most worthwhile mod.




With my utterly awesome Ultra VI.


Oh yeah, it also goes to 11, that was easily the most worthwhile mod.

damn
theres a few of those on cl
hows the neck on them
are they worth the $262
cause i think people are puttin them up for $250
gotta try one out
that ultra is very attractive

ryan summit wrote:damn
theres a few of those on cl
hows the neck on them
are they worth the $262
cause i think people are puttin them up for $250
gotta try one out
that ultra is very attractive

Brand new they're totally worth the $250 or so.
I like the neck, not as chunky as most Gibsons, but not insanely skinny.
Roasted maple fretboard sound killer to me, fuck tha haters.
Stock bridge is shit though, that needs changed ASAP.

THEBEERHAMMER wrote:This is my sg....ive had it for 13 years. Its a prototype of the gothic series. It was made for the guy from disturbed but he never collected it so it sat in its shipping carton at mars music in orlando fla for a minute. Its a waaay thicker body than a normal sg and the neck is massive but it weights like 5 lbs. It sounds like god. I put some sperzels on it and a baphomet but thats really it. I want to change the pickups but theyre like.....destroyed by my picking and they look so good.

This is absolutely fucking killer.

not exactly an SG, more of a Guild clone, but...
i took this DeArmond 7 string, converted it to a 6 (i like wide flat fret boards), changed the bridge & tuners, put in a different pickup (GFS Dream 180), made that wooden pickguard...probably other stuff i'm forgetting...it's a weird guitar, but i like it for certain things. it has sort of a trashy garage/early psych sound to it.

Kick ass, I also love wide flat boards. I dig the GFS Dream 180, installed them in a few guitars. What's the scale?

Grizz wrote::!!!: Kick ass, I also love wide flat boards. I dig the GFS Dream 180, installed them in a few guitars. What's the scale?

it's 25.5. makes sense, since this is from the Fender-built DeArmond era. it's a really bright, biting guitar.

voerking wrote:

Grizz wrote::!!!: Kick ass, I also love wide flat boards. I dig the GFS Dream 180, installed them in a few guitars. What's the scale?

it's 25.5. makes sense, since this is from the Fender-built DeArmond era. it's a really bright, biting guitar.

wow, if you downtuned that thing you'd be able to bend notes from here to Kansas City across that fretboard.

dubkitty wrote:wow, if you downtuned that thing you'd be able to bend notes from here to Kansas City across that fretboard.

GET OUT OF MY BRAIN.