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Ancient Astronaught wrote:Looking good broham!!!!

Thanks man

i dunno man... a 30 watter doesn't even being to cut the butter with me.

A heavy hitting drumme and wanting clean headroom. I can shpae my sound however I want it and not be limited by volume

100W is loud but I like the feeling of more power. You can just feel the entire note

Just because you have 200watts doesnt mean you have to use it all the time, I personally rarely turn up to ear blistering volumes. The main advantage is at gigging volumes i basically have infinite headroom, so my tone remains constant at about any volume that I use in practice or on stage. The problem with lesser watt heads is they may sound clean and perfect at practice volumes but when you take it on the stage and turn up you all of a sudden start getting break up and your clean tone isn't the same and your pedals react differently. That's just my take on it.

i like lots of clean volume.

vidret wrote:Just my humble opinion but most BAT pedals sound best into amps on the verge of breakup, had a hard time liking the pharaoh before I realized that.

I agree! Your opinion is definitely valid. But not all of us have the same tonal goals. I like having a squeeky clean base tone and using pedals to modify it as I need. So say I want to simulate the sound of an LSTR slamming the front end of an amp on slight breakup, so I'll put an OD on slight breakup after it in the chain. Which is the entire basis of my custom Burial Chamber pedal, I can have a clean base line tone and add breakup to it if necessary.

if i was going for a more rock tone, i'd definitely get something with some breakup too.

Wow.
This one moves even faster than the HCFX one did.
So, um, we finished mixing the new Indian album yesterday.

Ancient Astronaught wrote:

vidret wrote:Just my humble opinion but most BAT pedals sound best into amps on the verge of breakup, had a hard time liking the pharaoh before I realized that.

I agree! Your opinion is definitely valid. But not all of us have the same tonal goals. I like having a squeeky clean base tone and using pedals to modify it as I need. So say I want to simulate the sound of an LSTR slamming the front end of an amp on slight breakup, so I'll put an OD on slight breakup after it in the chain. Which is the entire basis of my custom Burial Chamber pedal, I can have a clean base line tone and add breakup to it if necessary.

Wait, wot's the Burial Chamber going to be?

humancertainty wrote:Wow.
This one moves even faster than the HCFX one did.
So, um, we finished mixing the new Indian album yesterday.

Hell yeah!!! I've been following the pics you guys posted on FB and instagram, looks like theres gonna be alot of modular synth on this record. To say I'm excited would be an understatement!!!

Dude...the studio we did vocals and synth at has the most insane synthesizer collection. so much fun.

D.o.S. wrote:Wait, wot's the Burial Chamber going to be?

Not going to be, is. It's my custom BAT pedal, the one with the skull and pyramid graphic, it's a BAT LSTR into an OCD clone with a master on/off.

Lower right in this pic:

humancertainty wrote:Dude...the studio we did vocals and synth at has the most insane synthesizer collection. so much fun.

It looked like it!!! Every posted pic has like 5 or 6 different synths in it.

Ancient Astronaught wrote:

D.o.S. wrote:Wait, wot's the Burial Chamber going to be?

Not going to be, is. It's my custom BAT pedal, the one with the skull and pyramid graphic, it's a BAT LSTR into an OCD clone with a master on/off.

Lower right in this pic:

Right on. Three footswitches so you can go with either the LSTR or the SHO if felt like it?

D.o.S. wrote:Right on. Three footswitches so you can go with either the LSTR or the SHO if felt like it?

Yup I can do individual on/offs and then the master on/off in case I have a part in a song where I have both on then go to completely clean so i can do it with one step instead of two.