D.o.S. wrote:AngryGoldfish wrote:
I absolutely love A Serious Man. It took multiple viewings to really appreciate it though. The lead character just makes me smile in every way possible. I adore him. Seeing him in Lincoln gave me goosebumps.
I only saw it once in the theaters. I don't dig those Jobian stories where everything just gets worse and worse.
Fargo was just straight up funnier and better looking, so whatever issues you have with its take on violence or its caricature of Canadians are kind of irrelevant when you factor in how glorious it looks and how hysterically funny it is.
Not Canadians. Also, forgot O Brother Where Art Thou, which I also love.
K2000 wrote:Apocalypse Now. Pretty much any movie by Coppola. Including the Godfather. Waaaay overrated.
Almost anything with Robert Deniro, except Taxi Driver.
I bet you think The Beatles are overrated too.
behndy wrote:lol. i've been saying that forEVER. and i get these horrified, are you RETARDED looks. but Casino is way better than Godfather. at least it's watchable.

Oh, I thought Fargo was in Canada. After just Googling it I see it's based in North Dakota. And I was actually going to say O Brother Where Art Thou instead of Fargo, but I thought Fargo would have been a better comparison to Burn After Reading seeing as they are both set in the modern day and are more black comedies.
And I also usually don't enjoy films where everything falls apart. I dislike Raging Bull, Casino and to a lesser extent Goodfellas for that reason. I see the genius behind them as pieces of art, but I just don't like them. That constant search for self-destruction is depressing and exhausting. I am maddened when watching how the characters destroy each other over two and half hours. The same goes for reading Shakespeare. It's just OTT to me.
The Beatles are overrated.

They have some good stuff—some very good stuff—but also a lot of what I would call annoying filler. I find them aggravating to listen to. I see their complex and characterful melodies; I understand how their lyrics were very poignant at the time and are still somewhat relevant today; I totally get how they captured an era and defined a sound. But I just don't like them.
D.o.S. wrote:More importantly, why is the singer from Creed in Underworld?
I knew I recognized him from somewhere. I dig the Underworld films. If it didn't have the visuals or Kate Beckinsale and Bill Nighy then I probably wouldn't have liked them.