ilovefuzz.com

I finally got a Cleanness again, can't believe I ever sold my first one. Anyway, this thing RULES. Of course you can use it for the obvious stuff like boosting pedals and/or amps, fine tuning EQ, or adding sparkle and punch to a clean tone but it's capable of sooooo much more. I've used on in the past to actually de-gain a high gain amp and give me a psuedo 2-channel setup which is a cool function.

Another use I found yesterday was running it post dirt/fuzz in some extreme filter settings, get those A Place To Bury Strangers toanz. I ran it head to head with my DBA Kill Kill Filter and the Cleanness crushed it. The KKF is cool but has a really small sweet spot in the filter sweeps. The Cleanness can cop any KKF tone esp when you push the gain up a bit plus so much more. The exp controlled mix lets you truly utilize the filtered settings, sweep it in and out however you please. Awesome pedal! Selling the KKF.

GardenoftheDead wrote:Just trying to decide if I want the classic (Which I've never tried) or the 71 voicing (I can imagine what it probably sounds like)

I have a Beast which contains the classic SC and it rules. Def sounds like a muff but lets you add all the mids you want and the depth with tighten up the low end. Gets really tight and heavy, sounds amazing. I hit that '71 preorder too, basically a vintage voice so I'm expecting more fuzz and an overall looser feel. There's a Youtube vid in that Acid Age thread comparing the standard SC to a one-off that was the inspiration for the '71, could be posted here too, didn't really read back thoroughly. Gives a pretty good idea of how they differ sonically.

[youtube]http://www.youtube.com/watch?v=PgzSOd1WTkw[/youtube]

sylnau wrote:IN:

Mu-Tron.JPG

I want!

Incoming
Dd20
Cash

Out
Looper
Custom delay

you got yer DD20! good work dude


I played about 5 different jazzmasters and offsets at a shop today, nothing that really stood out

then I played an epi firebird that was ridiculously good
not what I was after but looked awesome,
no funds however

Incoming:


Though worth a punt. Stereo reverb with 16 settings including gate and reverse for not too much money. Also who can resist pink screenprinting on white...

Holy Schnikes wrote:

sylnau wrote:IN:

Mu-Tron.JPG

I want!

eBay

Warpsmasher wrote:

Sound goes in, lsd comes out I'd love an Eventide rack unit. Having the Space and Pitchfactor is pretty bad ass but, its still not the same as the Eclipse and more $$$$$$ Eventides though.

So I got a new laptop with my new gear money BUT I did have enough left over to get an Ableton Push and it's awesome. Works flawlessly with Ableton 9 and I haven't run into any issues with it.

Out:
MINI
Fuzzrite clone

In:
MINI HAWK
Tension bar for my bass
Pedalenclosures ONE enclosure

Eventually: parts to make a 1776 Multiplex

MeSoFuzzy wrote:

Warpsmasher wrote:

Sound goes in, lsd comes out I'd love an Eventide rack unit. Having the Space and Pitchfactor is pretty bad ass but, its still not the same as the Eclipse and more $$$$$$ Eventides though.

I had all 4 of the ET pedals, and sold all but the pitchfactor to fund the eclipse. Only a couple of the pitchfactor algorithms come in the eclipse, and a couple of the space ones (including mangledverb), but it has everything that's in the modfactor and timefactor, plus I can chain any other effect (or combo effect) to just the reverb signal, or the entire mix, so I have more crazy reverb options now than I ever had in the Space. The only thing I'm going to miss about the factor pedals is all the knobs. I think it's a fair tradeoff for what I'm gaining though...

Click here for the worst gas ever: Eclipse effects algorithms manual

Warpsmasher wrote:

MeSoFuzzy wrote:

Warpsmasher wrote:

Sound goes in, lsd comes out I'd love an Eventide rack unit. Having the Space and Pitchfactor is pretty bad ass but, its still not the same as the Eclipse and more $$$$$$ Eventides though.

I had all 4 of the ET pedals, and sold all but the pitchfactor to fund the eclipse. Only a couple of the pitchfactor algorithms come in the eclipse, and a couple of the space ones (including mangledverb), but it has everything that's in the modfactor and timefactor, plus I can chain any other effect (or combo effect) to just the reverb signal, or the entire mix, so I have more crazy reverb options now than I ever had in the Space. The only thing I'm going to miss about the factor pedals is all the knobs. I think it's a fair tradeoff for what I'm gaining though...

Click here for the worst gas ever: Eclipse effects algorithms manual

A buddy of mine has the Eclipes. He also has a .com and Buchla system with a surround sound setup. Time does not exist in his studio

I put the Space and Pitchfactor on their own sends and route the outs to another channel instead of the returns. Its pretty cool to feed them back into each other. Yeah, got to have the knobs. Can't you use a midi controller for tweaking parameters in the Eclipse?

goroth wrote:

Gozu wrote:my disaster transport SR just arrived (along with some lollipops to apologise for its lateness!) and hooooomama!

EDIT: also just agreed a deal that should see me picking up one of the first Subdecay Vetruvian Mods in the UK!

what? WHEN? HOW? HOW MUCH?
YELLING IN CAPS!!!
AAAARRRGGH!

heh just noticed this! he's waiting on an actual invoice but reckons £150 sometime 'soonish'

i'll see about that vid. can't actually get to my rehersal space as i just bust my ankle skating... but yeah maybe!

MeSoFuzzy wrote:Can't you use a midi controller for tweaking parameters in the Eclipse?

Yeah, but I'm not sure I want to invest the time in programming one to control so much. Some of the algorithms have so many parameters that it seems like it would take too long just to set up the controller, so I'd be better off just getting used to the menu-diving.

the Vetruvian is innnnnntriguinnnnnnng.