ilovefuzz.com

Last night.

Holy Grail -> DIRGE Soiled Mass Prototype -> MXR Delay (mix output to Sovtek stack, delay only output to Verellen)

I'm still confused as to what the goodbye 24 even is... does? Totally sounded different than what I thought it was on Chet's demo and they are on like half of ilf's bowrds.

skullservant wrote:Last night.

Holy Grail -> DIRGE Soiled Mass Prototype -> MXR Delay (mix output to Sovtek stack, delay only output to Verellen)

Fuckin tasty. I love that verb always starts the chain.

Re: goodbye 24: It is awesome. Almost genius in the way it takes a known concept and messes with it. It's kinda a delay, except not.

It's like a bucket, that you constantly fill with what you're playing. As it fills it empties too. One knob controls the bucket size, the other varies how fast you tip sounds out of the bucket, and what direction you tip the sound, and the other knob controls how much of the sound gets recycled out of the bucket and back in again.

Fourth knob is a mix knob

You can vary the size of the buffer (bucket in the analogy) so it's tiny and sounds like a ring mod, or tremolo, or longer like a delay.

By adjusting the rate the buffer plays back your delay can be unison or faster (pitch shifted up) slower (pitch shifted down) or forwards or backwards. Depending on the buffer size and play back you can get octave sounds or flangey sounds, or octave delays.

By adjusting the feedback you can get long delays or rainbow machine unicorn jizz.

The best thing is the algorithms are kinda lofi, so when feedback is low it sounds fairly pristine, but increasing the feedback introduces a bunch of great artefacts.

I could easily have three on a board, seriously. I can't even count how many radically different and useable sounds I can get out of this pedal.

Thanks Ancient.

And YES, Goroth I've been highly considering a second Goodbye24 because how how many sounds are in it

skullservant wrote:Thanks Ancient.

And YES, Goroth I've been highly considering a second Goodbye24 because how how many sounds are in it

Agreed...only the upcoming 8sec version kind of made the decision for me

Edit: Killer trio, skully

goroth wrote:Re: goodbye 24: It is awesome. Almost genius in the way it takes a known concept and messes with it. It's kinda a delay, except not.
It's like a bucket, that you constantly fill with what you're playing. As it fills it empties too. One knob controls the bucket size, the other varies how fast you tip sounds out of the bucket, and what direction you tip the sound, and the other knob controls how much of the sound gets recycled out of the bucket and back in again.
Fourth knob is a mix knob
You can vary the size of the buffer (bucket in the analogy) so it's tiny and sounds like a ring mod, or tremolo, or longer like a delay.
By adjusting the rate the buffer plays back your delay can be unison or faster (pitch shifted up) slower (pitch shifted down) or forwards or backwards. Depending on the buffer size and play back you can get octave sounds or flangey sounds, or octave delays.
By adjusting the feedback you can get long delays or rainbow machine unicorn jizz.
The best thing is the algorithms are kinda lofi, so when feedback is low it sounds fairly pristine, but increasing the feedback introduces a bunch of great artefacts.
I could easily have three on a board, seriously. I can't even count how many radically different and useable sounds I can get out of this pedal.

I'm sold, must have.

goroth wrote:Re: goodbye 24: It is awesome. Almost genius in the way it takes a known concept and messes with it. It's kinda a delay, except not.

It's like a bucket, that you constantly fill with what you're playing. As it fills it empties too. One knob controls the bucket size, the other varies how fast you tip sounds out of the bucket, and what direction you tip the sound, and the other knob controls how much of the sound gets recycled out of the bucket and back in again.

Fourth knob is a mix knob

You can vary the size of the buffer (bucket in the analogy) so it's tiny and sounds like a ring mod, or tremolo, or longer like a delay.

By adjusting the rate the buffer plays back your delay can be unison or faster (pitch shifted up) slower (pitch shifted down) or forwards or backwards. Depending on the buffer size and play back you can get octave sounds or flangey sounds, or octave delays.

By adjusting the feedback you can get long delays or rainbow machine unicorn jizz.

The best thing is the algorithms are kinda lofi, so when feedback is low it sounds fairly pristine, but increasing the feedback introduces a bunch of great artefacts.

I could easily have three on a board, seriously. I can't even count how many radically different and useable sounds I can get out of this pedal.

I think we need a whole thread where you just describe what pedals do,

The Goodbye 24 seems pretty neat. I'd never heard of it until now. I'm currently way too into analog delay, but I would give this a shot in the future.

8 second one you say?

C

goroth wrote:Re: goodbye 24: It is awesome. Almost genius in the way it takes a known concept and messes with it. It's kinda a delay, except not.

It's like a bucket, that you constantly fill with what you're playing. As it fills it empties too. One knob controls the bucket size, the other varies how fast you tip sounds out of the bucket, and what direction you tip the sound, and the other knob controls how much of the sound gets recycled out of the bucket and back in again.

Fourth knob is a mix knob

You can vary the size of the buffer (bucket in the analogy) so it's tiny and sounds like a ring mod, or tremolo, or longer like a delay.

By adjusting the rate the buffer plays back your delay can be unison or faster (pitch shifted up) slower (pitch shifted down) or forwards or backwards. Depending on the buffer size and play back you can get octave sounds or flangey sounds, or octave delays.

By adjusting the feedback you can get long delays or rainbow machine unicorn jizz.

The best thing is the algorithms are kinda lofi, so when feedback is low it sounds fairly pristine, but increasing the feedback introduces a bunch of great artefacts.

I could easily have three on a board, seriously. I can't even count how many radically different and useable sounds I can get out of this pedal.

That is an excellent analogy. I will definitely be getting one now.

Sounds ridic

insubordination wrote:

Officer Bukowski wrote:Thanks!

I wish I had the coordination to throw my flanger and maybe my pitch shifter on there, but for what I'm doing this setup rules

Nah, why spoil a good thing? Simple is good. I can see a lot of fun happening with that!

Thanks

There's a part of me that loves a big awesome pedalboard but they usually distract me more than they inspire me. I look at a big rad board and think "it's not you it's me, baby"

But with the DD-7 you can always get weird sounds like this random shhtuff I made yesterday
[youtube]http://www.youtube.com/watch?v=116ggnZYOYU[/youtube]

skullservant wrote:Last night.

Holy Grail -> DIRGE Soiled Mass Prototype -> MXR Delay (mix output to Sovtek stack, delay only output to Verellen)

Dude this looks awesome. Stereo too So how's the MXR?

I am really intrigued by this new dirty boost you've got.

The MXR RULES! It's one of the few delays that I've tried that has a 'delay only' output which contains no dry signal. So I've got it biamped with my Sovtek and Verellen, the Verellen has nothing but trails and echos and the Sovtek has the mixed signal. Super lush, and I've set it up for the max delay time RIGHT on the edge of oscillation. I'm really in love with how it pans things as well. Tonight I'm going to throw my Stereo reverb after the MXR and see how it sounds, but I have a feeling it won't disappoint!

And I'm super stoked on this dirty boost! I'm still testing out the prototype in different situations such as a pedal with a buffer in front of it to see how it reacts, and with different pickups and stuff, but I think I'm pretty close to figuring out the final concoction! PM me if you want to try out the proto!!

hbombgraphics wrote:

goroth wrote:Re: goodbye 24: It is awesome. Almost genius in the way it takes a known concept and messes with it. It's kinda a delay, except not.

It's like a bucket, that you constantly fill with what you're playing. As it fills it empties too. One knob controls the bucket size, the other varies how fast you tip sounds out of the bucket, and what direction you tip the sound, and the other knob controls how much of the sound gets recycled out of the bucket and back in again.

Fourth knob is a mix knob

You can vary the size of the buffer (bucket in the analogy) so it's tiny and sounds like a ring mod, or tremolo, or longer like a delay.

By adjusting the rate the buffer plays back your delay can be unison or faster (pitch shifted up) slower (pitch shifted down) or forwards or backwards. Depending on the buffer size and play back you can get octave sounds or flangey sounds, or octave delays.

By adjusting the feedback you can get long delays or rainbow machine unicorn jizz.

The best thing is the algorithms are kinda lofi, so when feedback is low it sounds fairly pristine, but increasing the feedback introduces a bunch of great artefacts.

I could easily have three on a board, seriously. I can't even count how many radically different and useable sounds I can get out of this pedal.

I think we need a whole thread where you just describe what pedals do,

I'd be only to happy for folks to send me bajillions of cool pedals in return for a crappy description on a fuzz forum...

skullservant wrote:The MXR RULES! It's one of the few delays that I've tried that has a 'delay only' output which contains no dry signal. So I've got it biamped with my Sovtek and Verellen, the Verellen has nothing but trails and echos and the Sovtek has the mixed signal. Super lush, and I've set it up for the max delay time RIGHT on the edge of oscillation. I'm really in love with how it pans things as well. Tonight I'm going to throw my Stereo reverb after the MXR and see how it sounds, but I have a feeling it won't disappoint!

And I'm super stoked on this dirty boost! I'm still testing out the prototype in different situations such as a pedal with a buffer in front of it to see how it reacts, and with different pickups and stuff, but I think I'm pretty close to figuring out the final concoction! PM me if you want to try out the proto!!

Stereo action is the bomb. I love doing that with a stereo delay

PM incoming