ilovefuzz.com

lordgalvar wrote:That SG-2 is what I was looking at...freaking awesome man!

I knew that was a harvester...'tis awesome too.

Thanks bud!

Yeah, the Jazzmaster is my third favourite offset, and it's a great guitar.
SG-2 was re-fretted a year or so back and plays great. They are awesome things, really well made, great design. Tremolo system is up there with the best I've played.

HorseyBoy wrote:
Yeah, the Jazzmaster is my third favourite offset, and it's a great guitar.

Which's your fourth favourite?

resincum wrote:

live set up for the foreseeable future. the 4 track keeps everything together. c10s are a perfect guide/backbone for movements.
the signal chase is like this:

Code: Select all

4 track -----------------> mixer////--> ampeg v4//carvin x100b
microbrute --------------> mixer///
drone thing --> kp-3 ---> mixer//
guitar --> pedal board -> mixer/

This is so damn cool! I've been thinking of having a setup very very similar to this, with the tape recorder and various drinker things going to a mixer and then playing my guitar. This pic gave me some more inspiration

HorseyBoy wrote:

lordgalvar wrote:HorseyBoy, what is that Yamaha with the SG style pickups and the jag volume controls? That guitar looks awesome and want to know more...SG3, SG2?

In the pic above? That's my Harvester. Do you mean this one?



That's a 1967 Yamaha SG-2. Is good guitar.

HorseyBoy, this image is so full of win.

Ugh, this is an ugly mess - but worth it. Trying to work my way through all of the new stuff I picked up post black friday, figuring out what stays, what goes, how it all goes together. Basically ripped my board apart and slowing wrapping my head around the puzzle....
The OC-2>RM-1N>Scrutator combo is evil and fucking priceless - big thundering endless sustainy goodness, what Dylan Carson would sound like on Jupiter. Not entirely sold yet on the Charlie Foxtrot - setting everything to random is fun, and I've got another setting that makes for a one hit indie pop song, but not sure it's going to stay. Makes me miss my Judder, even though I never fully understood it, not at all. Spectre is a madman, Spectre plus El cap is too pretty for words, Spectre + El cap + Echo Degrader = win, deep undulating black holes of modulating delay win.

Perfect snow day holiday post valentines.

The Mutable Instruments Anushri is such a blast, I still haven't figured out the drums yet but that's because I'm having too much fun with the synth portion. Seriously nails the Roland 80s synth sounds so well. Sprinkle a little flange on top and it's god damn magic.



Bonus video!:
https://www.instagram.com/p/BB0uWXkQ7-b/

blakestree wrote:
5 Albums, 100 Songs, and YOU AIN'T GOT NO FUCKING YEEZY

Sorry.

Mustang Bass -> Pitch Black -> Warmjet -> Fab Tone -> Mini -> Headrush -> Tascam

Stereo board for the Roland Jazz Chorus is this minus the Frazz Dazzler:

http://i.imgur.com/nT7wM02.jpg

Mono board into the Fender HRDIII (C Rex speaker) is this...so far...the Minifooger is a Delay...and there is quite a bit of room left :/

http://i.imgur.com/GN5sA0u.jpg

kbit wrote:

Mustang Bass -> Pitch Black -> Warmjet -> Fab Tone -> Mini -> Headrush -> Tascam

How do you like the warmjet?

It's rad. I've only played this one direct so far and it admittedly doesn't sound that great that way, but I've played one through an amp before. It's a really ragged, gated sounding fuzz. What I really like about it is it can get really saturated when the gain/bias is increased but you can still stop the decay on a dime. And it has pretty nice chord clarity. The tone control is kind super fuzz ish, all the way to one side is scoopy and the other is a lot of mids/high mids.

Also Fab Tone at minimum gain with bass almost cranked and treble almost at a min is such a gnarly bass sound.

Made a simple floor board for playing out.

Behringer Super Fuzz -> Warmjet -> Mini -> el Cap.

Small changes, getting happier. Missed some octavey fuzz. Might go for a wah or fixed wah next. Think I might just end up usig my incoming account to limit everything, make all the sounds sit nice next to each other.


EDIT: sloppy riffage of the Warmjet -> Mini with some volume knob tweakage. Recorded direct, would probably be twice as nice through an amp.
https://soundcloud.com/dirtybursts/warm ... ip/s-nutEU

I just realized I can make the Fairfield Circuitry Four Eyes be envelope controlled. Here's what I'm playing with today:

Guitar >Electro Harmonix Bi-filter>Four Eyes. The EHX Bifilter has two separate filters that can be run separately, in series, or in parallel. Going to set filter one to be envelope controlled with a slow attack and medium fast decay. I will then tweak the frequencies and details once I've got the Four Eyes going. I can then set the first filter to zero on the output of the Bi Filter so that it's not changing the sound, and run a TRS from filter 1's CV output to the CV input of the four eyes. At this point it will be fully envelope controlled and I can adjust the sensitivity and sweep range/amount on the Bi-filter to match the sweet zone of the four eyes. Then, I can add in an LFO filter with a slow sweep or something with the second filter on the Bi-filter and leave that one affecting the sound if I want. Guess I could even add an envelope with a different shape to the input sound going into the four eyes...or I could move the four eyes from the output signal to the effects loop on the Bi Filter if I decide I want to put an envelope on the sound output by the four eyes.

Gonna be a lot of fiddling I can do to get some gooey drippy funk going today thru that four eyes fuzz.