ilovefuzz.com

Doorstop?

sonidero wrote:

backwardsvoyager wrote:all the knobs fully clockwise

Aka Donny Style...

awww yeah. I do like that setting on the BF-2.

Any of my old rack delays, the LFOs work when they're on delay mode (4-ish seconds) versus the intended 14-112ms for flange and chorus.

Warble thud mean.

Lets see.....

Two second delay: effect all the way down kinda filters out the sound, allow the sudden use of the hold function as a stutter to be more prominent.

Death Ray: never even used the expression control to filter sweep. Trading it off anyway...

Behndy's Hello Kitty looper: one loop as a momentary switch. Hitting the switch with the loop already active makes it function as a feedback loop. I have my delays set there.

Weeping Demon Wah: used as a fixed filter for solos. Full Zappa initiated. (never knew that was a Zappa thing till recently.)

I also wonder if you can set a auto wah the right way and have it function as sort of a reactive filter.....

Well... since I play with a clean amp, at the moment my "clean sound" is McSpunckle mini Gnomeratron Br00tz, that's my kind of Klon Knobs are dialed for hardly any distortion or gain, but that clean-ish blend knob is cranked close to unity with loud ass fuzzes. Boosts loud and isn't clean.

And haven't used wah much outside a feedback loop for years, taht's where it belongs. Backing violin for riff sauce. Chorus is in the same loop for rhythmical patterns and wails.

Bassus Sanguinis wrote:Well... since I play with a clean amp, at the moment my "clean sound" is McSpunckle mini Gnomeratron Br00tz, that's my kind of Klon Knobs are dialed for hardly any distortion or gain, but that clean-ish blend knob is cranked close to unity with loud ass fuzzes. Boosts loud and isn't clean.

And haven't used wah much outside a feedback loop for years, taht's where it belongs. Backing violin for riff sauce. Chorus is in the same loop for rhythmical patterns and wails.

I need to try that with my way....

I love to abuse stuff that doesn't track well, sounds awesome. Anything weird into the IE Oxide usually sounds amazing.
I also really like how the boss DDs sound when you put the delay time really short and the feedback and effect level decently high. Sounds like a flangey reverb

I wish I could figure out a way to creatively misuse my tremelo…

K2000 wrote:I wish I could figure out a way to creatively misuse my tremelo…

Smash it into things until it starts to do something interesting.

Or you know, turn the rate up to butts.

IE FrantaBit = Clean boost
Strymon Timeline = Reverb
Eventide H9 = Tuner
Boomerang lll = Metronome

Been using my Montreal Assembly Ring Mod as an overdrive.
Sometimes I like to use the Mini as a de-gainer.
I only really use my DL8 delay for the looper.

elevenstrings wrote:IE FrantaBit = Clean boost
Strymon Timeline = Reverb
Eventide H9 = Tuner
Boomerang lll = Metronome

Tremolo into Organizer is disorienting.

I mostly use my pedals how I would think everyone would use those effects. I do like the Organizer set more ambienty with a lot of lag in the background more than using it as an octaver. Its crazy how many things it can do. I do some weird things with delays but nothing unheard of or unexpected.

wait! With my Malekko vibrato running into Sparkle Motion with full output into my Foot Fetish fuzzy/od thing, I can pick up the lfo from the vibrato and make some awesome feedback siren wails. It's cool slowly cranking the output of the Sparkle Motion at the end of a song into that siren stuff. Flanger can do it too but it has a different mood to it

Uhhh I'm probably pretty conventional with how I use shit, but there is one amazing thing I found in the Particle: catch a very short sample in pitch mode with the delay time quite high, then lower the delay time till it just sounds like percussion, and then you can turn the pitch knob (or for better results use an expression pedal) to make different pitched drum sounds and you've got yourself a friggin drum machine!!!! Turn the chop up to where it'll never hold on to anything you play and you can play along with it.

-Boss OC-2: clean level all the way off an -1oct maxed is pure square wave dubstep thing. Lots of bass players do this
-Boss DD-5: the hold thing does all the Melt Banana stuff wonderfully that I doubt Boss intended to have happen
-Danelectro Dan o Wah into Zoom 505/6: pure white noise/siren-y garbage. filhy!