Listened through twice. Turned out rad. Thanks for putting this together D.O.S.
Fed two mangled trump samples from a MPc500 into a judder in layer mode to loop them. Jumbled everything up with a possessed,particle,timebender, and finally a second judder.
Pretty sure mine (iRerror) was guitar into Maxon AD-9 into LAL 86. Might be some Possessed in there as well? Ran the entire mix through Ableton's version of a DOD Death Metal.
Dirge, I have to say that the final track is one of the coolest noise tracks I've heard in 20 years of following and creating noise!
- mine is a build up of hundreds of layers of trump sound bites and the mob [republican convention audience] in logic, no organic or natural ingredients were used. effect wise what you have going on is bit crushing and the cheap generic distortion plug-in with tape delay and ambient reverb, and tons and tons of compression to keep it all from overloading everything, and just like how the tracks build and build using automation so do all the effects.
For the sheeple track, my buddy and I used a bunch of shit. Mater Tenebrarum, Detektor, flanger hoax, Echo degrader, fuck od, 141G, shaker box/contact mic, CT5, and more that I don't recall at the moment.
My track (Tape Artifacts) was a patch cable that I banged on stuff, into Pladask Romferd, MTL Positive, and Echo Degrader.
I need to start playing with samples. All those speech snippets some people used are so gross sounding, but are giving me so many ideas for future stuff
Your favorite political economics soundtrack just got even better (or even longer)!
Frodog emerged from the bonds of Mordor or wherever to uncover that he had, in fact, successfully exported a track. So it's on the thing. Call it a bonus track if you want. Call it even more cushin' for the pushin'. Call it the fact that the election is still a week and a half away, and that terror is still upon us. Or you can call it Mass Asphyxiation (no comment on the auto- or manual-erotic nature of said strangling):
Thanks for the work of fitting me in, now, in this time of dread!
Equipment used: Audio from archive.org, manipulated by Futureman-> Time delay-> Fuck-> Xerograph-> Upper-> Accountant-> Nimbus (more or less). Additional audio routed through/overloading a Boss BX-80 mixer and pdels: Monotron, PO-12, Rucci 8-bit, Error Inst. glitch box, Yamaha CS01-II, drone loop.
All in all, four tracks each recorded in one take on a Marantz PMD 740 4-track, then ineptly imported into Audacity via a Sansui stereo receiver's headphone out and lost until recently unearthed in the dark recesses of the HOME folder.
