
blahhhh by Pumpkin Pieces, on Flickr
Moderator: Ghost Hip


mr. sound boy king wrote: Organic apples are not normal, they are special, like analog, whereas normal apples, like digital, taste sterile and lack warmth.
friendship wrote: y u h8 swoosh woosh



AxAxSxS wrote:...if its a loud tube amp....
Iommic Pope wrote:Amps first, makeup sex later.


this is fucking sick, love itPumpkinPieces wrote:Please excuse the messy board and poopy picture, I have been recording a lot this week, and I made a short diddy featuring the Boss PS-2. I am finally making some sounds I've been dying to make for awhile now.![]()
blahhhh by Pumpkin Pieces, on Flickr
Derelict78 wrote:That probably sounds awful in the best possible way.

rfurtkamp wrote:The only transparent thing I own is a set of drinking glasses.


…...........................…psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?

rustywire wrote:Post your battle jacket of wrong bands
psychic vampire. wrote:I believe all authorities should be destroyed?

Sounds super nice!PumpkinPieces wrote:

ChetMagongalo wrote:Dibs on the Misty Cave flip rusty
Joel Korte wrote: It's always your fucking fault



Mine is a Reverbamate, which predates the Sole Mate. The main difference is the Reverbamate has dual dedicated outs; a Dry and a Wet...so you need a 2ch amp (or 2 amps, or a pedal with stereo inputs) to blend both channels. I really like it. It doesn't compare to a Fender long-tank or '63 tube reverb...but it has its own thing going on. A bit more metallic and lofi...in a desirable way. Plus you can kick itspace6oy wrote:what do you think of the van-amps sole mate? i've been curious about those...
Chankgeez wrote:Gettin' crazier & crazier.![]()
OK but I've had it a year and don't think it's going anywhere...at least not anytime soon. Just don't hold me to thatChetMagongalo wrote:Dibs on the Misty Cave flip rusty
Right now it's being fed the full wet reverb from the Reverbamate, to both modulate and resonate it with that throaty metallic tone you've heard in demos. Following it with the Shape EQ helps tame some of the insane output. The MC would be a lot better if it had a Master Volume control or some kind of gate/limiting/rolloff option. Also a wave shape knob to blend between triangle/sine/square etc. It can and does get ridiculously loud when you hit the sweetspot with the right note. It's also very interesting when used with a drum machine & sampler, almost as a filter...and even pitchshifter.Ev_O))) wrote:word, what do you use it for if you know what I mean? I love the sound of it in demo's I've heard but I'm curious as to it's wider aplications.
rfurtkamp wrote:The only transparent thing I own is a set of drinking glasses.



