warwick.hoy wrote:Playing with my pedals within arms reach is one of my favorite things,...but being able to switch the pedals where twisting knobs isn't critical to cool sounds; wwwwwwith mah feet is also pretty important.
Solution.
Signal flow: =>Shiva=>SD-2=>OC-2=>Supercollider=>BEF=>VPJR=>LS-2 (A<->Bypass)=>TU-2=> In the LS-2 Loop Send=>WSOU=>Atoner=>DL4=>Return
Mainly just wanted the DL4 in the loop so I can set tempos prior to injecting the delay into the signal. And I can make the switch over with a foot stop.
Having everything on the floor board running through the input of the LS-2 means that everything can be fed into the DL4.
I seriously love LS-2s. Probably one of the best pedals that Boss has ever made.
Obviously not going to be taking a piano bench with me on gigs; so I'll likely design a solution for that. Considering I'm not currently in a band; this will do the trick for now.
niffffffty loot. dig the explanation too.
MEOW.
Eric! wrote:YOU'RE like having two pedals in one
with your...momentary fuck switch and all..
Dirge SSStampede -> The Great Destroyer -> Infanem Second Voice -> behringer BSY -> Pitchfactor -> Atoner clone -> DS-1 -> timefactor. I was going to wire it up all pretty but I got impatient to play with it all. Soooo many synthy tones
aen wrote:Or I'll just use fuzz. Then Ill sound cool regardless.
Achtane wrote:Well, volcanoes are pretty fuckin' cool. Like I guess lava flows are doomy. Slow and still able to to melt your eardrums.
Tonight I realized that setting the elements before the pharaoh is total bonerz. BONERZ! Set the elements low-mid gain in the vein of a cranked AC30 and it makes the Pharaoh sound excellent when engaged. And the big fuck into the mini fuck is a total party fuck. PARTY BONERZ! Boners all around!
chillerthanmost wrote:Tonight I realized that setting the elements before the pharaoh is total bonerz. BONERZ! Set the elements low-mid gain in the vein of a cranked AC30 and it makes the Pharaoh sound excellent when engaged. And the big fuck into the mini fuck is a total party fuck. PARTY BONERZ! Boners all around!
tjlong wrote:really nice but how come the dirge is placed that way? wouldnt the switches be harder to hit
There are two main parts I use on that dirge delay; the first delay speed, which is the footswitch on the bottom (to the pic), and the light dependent resister, which is right below the two LED lights. So this way I can cover it with my foot or easily access it with my foot over it for modulation. Also, the input/output jacks are vertical when I place it this way, as opposed to them being on the side when I place it right side up, and lastly it matches up in width (top) to the other pedals. Plus the momentary oscillation switch is a bit higher than the other two switches so its easily accessible when I want to drive the trails
Big board and big amp are in the garage and it's usually really hot in there so I've been playing in my room by myself and it's alot of fun using a few pedals and my little solid state orange (which I love, no shame).
Live your life like a tree.
spacelordmother wrote:Didn't hate it
Incoming
True pedge
The only thing about Chillers board I don't like is those footswitches on the Dirge. HOW THE FUCK CAN YOU HIT THOSE? Pedal looks cool though, as does the rest of the board.
"I do not have the ability to think rationally 90% of the time and I also change my mind at the drop of a hat".
Dirge SSStampede -> The Great Destroyer -> Infanem Second Voice -> behringer BSY -> Pitchfactor -> Atoner clone -> DS-1 -> timefactor. I was going to wire it up all pretty but I got impatient to play with it all. Soooo many synthy tones
Helter wrote:Big board and big amp are in the garage and it's usually really hot in there so I've been playing in my room by myself and it's alot of fun using a few pedals and my little solid state orange (which I love, no shame).
this looks like a ton of fun
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