new05002 wrote:Holy Schnikes wrote:deathmonkey wrote:HNNNG do i ever want a v-4. I played out of one for a bit at our studio and fell in love. I just always fear the horror stories of them breaking down all the time. The one i played works when it feels like apparently.
My dad apparently had 4 back in the day. FOUR. And he sold all of them. Why couldn;t he have kept 1 or 2?
Man that sucks you couldn't inherit at least one of those V4s! I'd never let pops hear the end of that haha.
They are totally badass tho, really love the early 70s models. I haven't had any issues but like you said, they're prone to trouble. Mine runs almost hum free and the reverb actually works and sounds fantastic. I think the horror stories are a combo of age and the ridic weight. Through the years of being lugged around, most of 'em take real beating. Pair that with the fact they utilize that super high plate voltage and most guys run 'em loud and hard at all times.
Luckily we have a local guy who works on old Ampegs and Sunns and the like. Gonna take mine in for a cap job sooner rather than later along with getting old toggles and jacks replaced. With V4s (or any amp really) it's all about prevention but it's esp important with those Vs. I've seen some catastrophic tube failures in earlier models. They tend to take the whole power section down, transformer and all. That would be a goddamn nightmare! This amp is so pristine inside, I'd hate to see it burn up.
its not soo much they run high plate voltage, its more likely the high screen voltage coupled with a lack of good modern 7027 model tubes with original specs to them. Beyond that the upside down tube thing, close packed tubes, and the general execution is not great. Ampeg designs are very nice but the execution was not so great IMO.
Believe you me, My dream dunwich build has been kicking around in my head for a while as some crazy updated V-4.
Holy Schnikes, There is a dude in NJ that worked at ampeg in the 70s and runs a music shop now. THe shops been on my radar for as long as the amp has been.
ridingeternity wrote:
Man that's a bummer...had my dad sell an LP Custom that was supposed to be mine one day...he still has an original pretty much mint JCM 800 2203 with matching cab, that gets played maybe...twice a year...and I get to just watch it sit there when I visit, if I do ever come up on it, it will not be for at least 30 years and under some depressing circumstances.
All my dad kept was a 53 or 54 Gibson hollow body. So much of it needs work because he was a young kid when he had it and did dumb things like swap out the neck and throw out the pickguard that would cost a small fortune to restore now.... but it is still one of the coolest guitars. I know your pain.





Well they don't usually put a whole lot of glue in there, but there should be enough to atleast find residue in there. Alot of times you can actually order a precut fender tele nut so all you would have to do is take out the old one, put a lil glue in there and slap in the new one.
