Pitchfactor is the GOAT. You don't have to use the pitch shifting, It does a great deal of other stuff. Awesome delays and you have the option of always adding pitch shifting temporarily with an expression pedal. I think you can set up the footshitch to do it too but I haven't got one.
My latest favourite is setting the 910 to "do nothing" at 50/50 blend, just the A-channel. It's a weird random flangey sound cause it drifts. It would probably be even better in stereo having one amp do the 910 and one amp dry. Alternatively full wet one amp at 1.000 detune the other 1.001 detune or delayed an insignificant amount or both. You can also do great tin can noises. Another neat trick is using the whammy mode with both channels set for the same interval but different rise times (need to use the footswitch for this). The octaver mode is insanely capable too and the fuzz on that is useable
imagine finding out your son is your daughter & she's into noise music
Excited to get to groove at a last minute jam party. Tonight's jam board.
Sounds fricken incredible at home, eager to see how it does with a few others. Getting together w guitar, synth, and a beat maker who plays a mashine production system. Maybe some others
This should be great...super rocking, but also can get really moody.
cosmicevan wrote:Excited to get to groove at a last minute jam party. Tonight's jam board.
Sounds fricken incredible at home, eager to see how it does with a few others. Getting together w guitar, synth, and a beat maker who plays a mashine production system. Maybe some others
This should be great...super rocking, but also can get really moody.
"I don't know half of these pedals half as well as I should like" - Bilbo Baggins
qersty wrote:Pitchfactor is the GOAT. You don't have to use the pitch shifting, It does a great deal of other stuff. Awesome delays and you have the option of always adding pitch shifting temporarily with an expression pedal. I think you can set up the footshitch to do it too but I haven't got one.
My latest favourite is setting the 910 to "do nothing" at 50/50 blend, just the A-channel. It's a weird random flangey sound cause it drifts. It would probably be even better in stereo having one amp do the 910 and one amp dry. Alternatively full wet one amp at 1.000 detune the other 1.001 detune or delayed an insignificant amount or both. You can also do great tin can noises. Another neat trick is using the whammy mode with both channels set for the same interval but different rise times (need to use the footswitch for this). The octaver mode is insanely capable too and the fuzz on that is useable
My first p'board post in quite a while. This is just to fuck around with my Yamaha CP Reface with, which yes, does come with its own onboard effects, but did it come with a ring modulator? Nooooooo!
Rhodes into Randy's Revenge is my favorite shit right now. The unfinished one in the middle is a Mid-Fi Pitch Pirate (Doug at Mid-Fi was nice enough to get a fresh enclosure for me because the current color would have driven me crazy). The two at the end are Walrus Julia and Fathom, in their current National Parks graphics. The Julia is a ton of fun. Haven't played with it in chorus settings yet - just give me the wobbles. The Fathom is set as a pretty bog-standard reverb. I need to teach myself to not sell my reverbs when I inevitably start to think that they're boring (see every reverb I've ever had), so getting one as a companion piece to the Julia may help with that? idk.
Last edited by lost in music on Tue Dec 21, 2021 12:19 pm, edited 1 time in total.
This is a very impressive collection of Roto Toms. That's 21 Roto Toms in all. That is only $33.00 a Roto Tom.
Also want to note the Novation Launchkey, beneath. I just use it to play piano keys at a normal size instead of the Reface's teensie-fingered bullshit. It also has an arpeggiator and some other cool features that I haven't learned how to use yet. But sometimes if I accidentally leave the whole rig on at night, the CATS will figure out how to use the extra features and when I come downstairs in the morning, I am treated to cool atonal loops.
This is a very impressive collection of Roto Toms. That's 21 Roto Toms in all. That is only $33.00 a Roto Tom.
The important bit is I finally debugged all the noise the only time you hear noise now is gain hiss
Moved a lot of things around, most notable is I took off the looper. I am unsure about the looper.. in a band setting it always feels more of a crutch than a tool.. I also don't like it on my board, it is always in the way and getting bumped so when it get utilized again [or swapped for a different one, I think I need one with a midi in not out so it can sync to what the drummer is doing vs the other way round..] so it will be on it's own island mini board down the road.
I think my only pedal sale regret is selling my boss bass parametric eq… but at the time I had not used it in years
On this setup I only use the parametrics on cello and upright to de-harsh the piezo pickups before dirt.
The important bit is I finally debugged all the noise the only time you hear noise now is gain hiss
Moved a lot of things around, most notable is I took off the looper. I am unsure about the looper.. in a band setting it always feels more of a crutch than a tool.. I also don't like it on my board, it is always in the way and getting bumped so when it get utilized again [or swapped for a different one, I think I need one with a midi in not out so it can sync to what the drummer is doing vs the other way round..] so it will be on it's own island mini board down the road.
The important bit is I finally debugged all the noise the only time you hear noise now is gain hiss
Moved a lot of things around, most notable is I took off the looper. I am unsure about the looper.. in a band setting it always feels more of a crutch than a tool.. I also don't like it on my board, it is always in the way and getting bumped so when it get utilized again [or swapped for a different one, I think I need one with a midi in not out so it can sync to what the drummer is doing vs the other way round..] so it will be on it's own island mini board down the road.
A [bass side]: octave > Fuzz > Filter > Fuzz > EQ > Comp > PreAmp > Power amp > SWR 1x18 cab
B [treble side] Octavia > OD > OD > Phase > Wah > Chorus > Pre/OD > Comp > Echo > PreAmp [with lexicon reverb in fxloop] > Power Amp > crate 4x12 cab
IMG_1431.jpg
This board is so fucking cool and unique - I am curious to ask what Power Amps you use, as I want to have a pedal board situation where my pre-amp is pedal based
THEBEERHAMMER wrote:
Achtane wrote:Doom Weed, duh.
Doom seed is like...what you get when wizards jerk it.
Doom Weed produces Doom Seed.
BRO IS THIS EVEN KUSH??? IS BUFFERED? TRV BYPASS??? MY FRIEND DAMBLEDORE TOLD ME I NEEDED CRYSTAL LETTUICE.
I don't actually run any pre-amps as pre-amps on the board [but it gets the color/tonez I like] but I think that is a great way to go if you can find a pre/pre-s in a pedal form that you like Any more stuff and I'll have to dig my big pedal case out of the garage.. it's 2'x4' we gigged with it once and I was told to not ever do that again.. it was bigger and weighed more than the keyboards
Blackened Soul wrote: I think my only pedal sale regret is selling my boss bass parametric eq… but at the time I had not used it in years
On this setup I only use the parametrics on cello and upright to de-harsh the piezo pickups before dirt.
you can always have more parametric! best utility by far
imagine finding out your son is your daughter & she's into noise music
the only time you hear noise now is gain hiss 
Or, you know, a massive PLL.