Does anyone know if you can access spotify statistics apart from that years end summary thing?
I should just keep a list of great music... but all my playlists are great so
Gone Fission wrote: ↑Thu Oct 24, 2024 2:21 pm
That’s quarter-assed at best.
goroth wrote:Does anyone know if you can access spotify statistics apart from that years end summary thing?
I should just keep a list of great music... but all my playlists are great so
I use last.fm religiously for this. I just run the app on my phone and it tracks my plays on google music.
My top 9 new releases so far this year.
I didn't realize Sleep put something out this year, though. Def going to have to check that out.
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Ok so far going by the posts in this thread... anyone find something that I can't say "this sounds just like this"?
I liked GNOD, Anthroprophh, Giraffes? but I've heard stuff just like it.. I'd say the same for everything I've came across this year, some I like but it either was a band I already liked or someone copying a band I already liked.
Nothing is original anymore? I would try but I'm sure everything I find that sounds original to me is probably a rip-off of a band I've never heard of yet.
Things I can remember off the top of my head so far this year (except a bunch of stuff I can't remember right now (so it must have been great)):
Ill (which is super un-original but fun and I don't care at all)
Gigafauna (it's goroth's band and it's a good album)
Mudfuzz wrote:Ok so far going by the posts in this thread... anyone find something that I can't say "this sounds just like this"?
Mind sharing more like NTS sessions by Autechre?
I'm not really into IDM, so legit question, but so far I haven't found anything like it, at least none of the "big" names.
John wrote:"guys play quiet, listen to my small costly device."
PumpkinPieces wrote:Fer shoogaze
tuffteef wrote:all you need is a big muff and feelings
fwiw I prefer fresh to original in music, which seems a more realistic goal for someone building toward M. Gladwell's 10,000hrs, with determination for "sounding good" rather than "being original". When a song or recording appreciates with replay value, is it more because of the former or latter? Also perhaps a topic for another thread: there's an interesting duality between remaining original and changing with the times, evolution
Mudfuzz wrote:Ok so far going by the posts in this thread... anyone find something that I can't say "this sounds just like this"?
Mind sharing more like NTS sessions by Autechre?
I'm not really into IDM, so legit question, but so far I haven't found anything like it, at least none of the "big" names.
check out: Gescom, Chris Carter [solo stuff and coil], AFX, Polygon Window [ ], The Tuss,The Future Sound of London
rustywire wrote:fwiw I prefer fresh to original in music, which seems a more realistic goal for someone building toward M. Gladwell's 10,000hrs, with determination for "sounding good" rather than "being original". When a song or recording appreciates with replay value, is it more because of the former or latter? Also perhaps a topic for another thread: there's an interesting duality between remaining original and changing with the times, evolution
true maybe another thread someday but no I'm not asking for world changing, i understand styles are styles but what i am at is not where i can go well this song is like this song mixed with this song, because if you are just to sound good you might as well record covers.
Mudfuzz wrote:Ok so far going by the posts in this thread... anyone find something that I can't say "this sounds just like this"?
Mind sharing more like NTS sessions by Autechre?
I'm not really into IDM, so legit question, but so far I haven't found anything like it, at least none of the "big" names.
check out: Gescom, Chris Carter [solo stuff and coil], AFX,The Future Sound of London
Mmm pretty good and indeed similar to (old) Autechre shit but nope, I'll give the rest a shot though, thanks!
John wrote:"guys play quiet, listen to my small costly device."
PumpkinPieces wrote:Fer shoogaze
tuffteef wrote:all you need is a big muff and feelings
rustywire wrote:fwiw I prefer fresh to original in music, which seems a more realistic goal for someone building toward M. Gladwell's 10,000hrs, with determination for "sounding good" rather than "being original". When a song or recording appreciates with replay value, is it more because of the former or latter? Also perhaps a topic for another thread: there's an interesting duality between remaining original and changing with the times, evolution
true maybe another thread someday but no I'm not asking for world changing, i understand styles are styles but what i am at is not where i can go well this song is like this song mixed with this song, because if you are just to sound good you might as well record covers.
I always set out to write stuff that's different, then finish it and think "hey this is x crossed with y" so I'm sympathetic to other people who do that.