https://www.sweetwater.com/insync/guita ... c-shootout
Go listen to a bunch of mics compared accurately. So you don't have to buy a mic you're not going to like.
Moderator: Ghost Hip
neonblack wrote:Do you ever just sit back and take a good look at yourself and realize all your riffs are shit and you're a garbage musician?
drolo wrote:who else has tried to play all the tracks at once ?
John wrote:"guys play quiet, listen to my small costly device."
PumpkinPieces wrote:Fer shoogazetuffteef wrote:all you need is a big muff and feelings
Olin wrote:Bit surprised by the SM7B in this though, I usually really like how they sound and hated it here.
Sweetwater wrote:(no bass rolloff, no mid-range emphasis)
Corey Y wrote:I think it's great that they post something like this*. It's definitely a useful tool for people shopping who can't just try something out and want a general idea of what the basic tonal differences of different microphones are.
*But.... [shortened for length]
DRodriguez wrote:Usually the SM7B is used (in my experience) because of how good it's proximity effect sounds. Like RE-20's to get that classic radio beef.
drolo wrote:who else has tried to play all the tracks at once ?
DRodriguez wrote:Absolutely. But if one were invested, they could take these samples and run them through eq and compression. Through them in with some drums, etc. But this is a more honest representation and wide ranging than anything else I've found out there. There's a lot of hearsay used out there with mics, better to have some concrete ideas.
Headroom, different off axis rejection, etc is really impossible to demonstrate without going hands on. And not many people are so fortunate.
DRodriguez wrote:You can always download the raw audio and volume match to your preferred method.
ALLisNOISE wrote:you can dial in some wonderfully smeared 12bit cascades of cicadas leveling a hail of rockets against an army of rusty box fans!
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