drolo wrote:The minutes passed in a blink of an eye when listening too.
I really like how you were using the pitch/hold mode after around 5:30
Thanks for posting this !
Thank you, David!
I was pretty entranced with that low note gurn that I stumbled across around
the 5:30 mark. It was fun to use the Control knob to change the pitch.
Very useful.
I also love the Filter Hold mode. At 7:12 I start playing with that. The sweep
of the frequency is really satisfying (especially with a delay downstream to
keep an altered sound copy downstream while the Filter Hold sweeps). It was
really fun to use the Control knob to sift that held sound in and out of audibility
around the downstream delay line.
Also around 13:13 mark I revisited the Filter Hold while counterpointing that with
manipulations to the RE-20 Twist function. I was dual knob-twisting at that point,
creating a conversation between the two pedals. Very satisfying/fun.
I can see the Filter Hold being very useful for a person running some type of drums
or rhythm device through the Stamme[n].
And around the 11:22 mark I somehow harnessed the winds with the Stamme[n].
Which was very cool to manipulate with the Control knob. If only that power
extended into real life.
I'm really digging all the options available on tap. The Stamme[n] is a beast.
UglyCasanova wrote:This makes me happy!
Thanks!
I'm happy that you talked to David about your pedal dreams and that that
conversation spurred David to create such a dynamic sound-generation device.