Chankgeez wrote:That never stopped anybody.
true
Moderator: drolo
Chankgeez wrote:That never stopped anybody.
Seance wrote:Who else has had a Drolo pedal impact their songwriting/sound-making?
While using the Stamme[n] and a couple other pedals I came up with a simple
four-note little motif. The effect of the Stamme[n] forced me to give it some
space and let the note-decay breathe (not my strong suit (I tend to embroider)).
Then one day this same little four-note motif popped into my head and I was
somehow able to visualize (mentally hear?) how two other different parts might
slot into and mesh with the original motif formed by those four-notes.
After a while the riffs and runs and pieces and motifs fell into the roughly coherent
yet mangled shape of a thing. This is that thing:
http://soundcloud.com/caesarshift/phosphene-ophelia-theme
shikawkee wrote: when a fuzz is too much)
…...........................…psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
Chankgeez wrote:shikawkee wrote: when a fuzz is too much)
Which brings me to my next question:
Dear, DRolo,
When is a fuzz "too much"?
shikawkee wrote:Between the Mood, Stamme(n) and Molecular Compactor they have impacted everything I've recorded/played the last two years. Amazing devices. Endless creativity in those boxes. (Not to mention the Giant Hogweed which have saved me in the studio the last year when a fuzz is too much)
Chankgeez wrote:shikawkee wrote: when a fuzz is too much)
Which brings me to my next question:
Dear, DRolo,
When is a fuzz "too much"?
drolo wrote:What a magnificent piece of music! Glad those little boxes are able to bend some inspirational paths to get you places. That's the whole point of these so it makes me extra happy
shikawkee wrote:
The Giant Hogweed rips. In the very best way.
shikawkee wrote:Fuzz is often too much. Except in trios or where there's just one guitar player. There, I said it. Heh.
…...........................…psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
Seance wrote:Who else has had a Drolo pedal impact their songwriting/sound-making?
While using the Stamme[n] and a couple other pedals I came up with a simple
four-note little motif. The effect of the Stamme[n] forced me to give it some
space and let the note-decay breathe (not my strong suit (I tend to embroider)).
Then one day this same little four-note motif popped into my head and I was
somehow able to visualize (mentally hear?) how two other different parts might
slot into and mesh with the original motif formed by those four-notes.
After a while the riffs and runs and pieces and motifs fell into the roughly coherent
yet mangled shape of a thing. This is that thing:
http://soundcloud.com/caesarshift/phosphene-ophelia-theme
Seance wrote:shikawkee wrote:
The Giant Hogweed rips. In the very best way.
Would you say that the Giant Hogweed is "blistering"?
Chankgeez wrote:shikawkee wrote:Fuzz is often too much. Except in trios or where there's just one guitar player. There, I said it. Heh.
EQ is your friend.
odontophobia wrote:More Disrupters/Stammen coming soon?
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