popvulture wrote:Hmm, LDC. I wish I could try one of em out...
My problem is that I've got a go-to LDC that works well on a ton of stuff: a Soundelux U195. It's actually not bad on acoustic, but it has a tendency to capture a little too much boom, and that's even with the mic at the 12th fret, angled towards the sound hole.
Anybody worked with Oktavas? I've thought about the MK012s for years but never bit.
Try
not angling it towards the sound hole (where all the boom comes from), putting more distance between the mic/instrument (to limit proximity effect), different heights/angles (might look weird, buts sound awesome, so experiment), etc.... I mean, that U195 should get you where you need to go with some messing around.... but if you're really into trying something else, I own a pair of Josephson C42 SDC's that are fantastic on acoustic instruments. You can get a single one for around $400. They are on the bright-ish end of the spectrum, but I find I can tame it (when needed) by adjusting placement. Incredible detail and fidelity, built to withstand falling off a very tall building, super small and easy to carry around.
Another solid option would be a Shure KSM141. They are well featured and sound great.