I know there are a MILLION different opinions on how to best record guitar. This is just what happened to work really well for me.
http://stompclubblog.blogspot.com/2015/ ... r-amp.html
Any feedback greatly appreciated.
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DRodriguez wrote:But the true trick in guitar recording is to invest in a tone tank
D.o.S. wrote:What the fuck? You're fucking English how do you not like Pink Floyd? Disastrous dude, cultural depravity at its worst
DRodriguez wrote:Be careful with that hard left right trick. You might loose a little too much once you sum to mono. Even though you have the TS1 in the center, the tone from the stereo to mono change may be a little drastic. That said, if it sounds good, it is good.
While mentioning the royers, you may also want to note that flipping the mic around 180º will give you a brighter tone to play around with. One of the tricks I like to do in a live situation is to put a royer backwards at a 45º to the cone from the outside edge to get a nice bright lead tone, on the back of the cabinet I put a 57 on the rear directly across from it at a 45º angle with the phase flipped for a tubbier,roomier sound I can raise to help it sit back a bit and fill out a mix. Mix the two to taste depending on the role in the song. Truly an endless amount of ways to mic a guitar amp.
But the true trick in guitar recording is to invest in a tone tank
DRodriguez wrote:...But the true trick in guitar recording is to invest in a tone tank...
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