louderthangod wrote:How do you guys feel about mono overheads? The more drum recording I've done lately the more extreme panning is starting to sound unnatural. I won't be doing any rehearsal recording for at least a few more weeks so I'm trying to think of some new ideas. I've got one good ribbon (Beyer m160) that I've been thinking of trying a single, mono overhead. When I look it up it seems like lots of people think it's a great idea but when I watch videos of bands in the studio there are always a stereo pair of OH and often a pair of stereo rooms as well. I'd like the drums to sound a little closer and directly intimate.
no power lines. no telephone. leave me alone.
Achtane wrote:More enclosure = more space for toan fairies
behndy wrote:the idea of a huge modular shynth and the MOUNDS OF NOTES involved gives me a frustrated taint and a near paralytic peen peen.
Deltaphoenix wrote:DUO PHONIC RIBBON CONTROLLER
PetZounds wrote:GOD IS DEAD BECAUSE HE SMOKED TOO MUCH WEED
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