)Recognizing the "less busy works for better for vertical layout" concept, I'll go from least busy to busiest. What sayeth the Fuzz brethren?
Number one: The Hurricane, 1938
Number Two: The Sowers 1942, - for a poster commissioned by USA government, National Archives and Records Administration, Washington, DC. This is one of a series of eight paintings Benton made to "support the war effort." Here he portrayed the violence and barbarity of fascism, representing the enemy as a bulky, brutish monster tossing human skulls onto the ground.
Number 3: The Twist, 1964
Number 4: Lord Heal The Child, 1934
Number 5: Kansas City (from a mural, so heavy cropping required)
