Moderator: Ghost Hip
Chankgeez wrote:
DWARFCRAFT: We are not fucking around this year.
More_Divebombs wrote:I use it for everything. Synths and drum machines go in to the mixer and then into the THR10, into the flat channel, which is perfect for synths and drum machines as its just a clear uncoloured sound. If I'm doing guitar I just go through the pedal chain straight in to the amp.
I find that only one channel, the 'lead' channel (which is just a slightly crunchy clean tone) handles fuzz/distortion pedals well. They sound really tinny on other channels, but sound fine on the lead channel, so I use that as the base for most things. Other channels handle delay and that sort of stuff no problem. It's just picky about dirt. All the channels sound great on their own too. There's loads more effects and cab simulation stuff you can do with the Yamaha software too.
I use it to record everything via the USB out straight into a Daw. I always struggled with latency with cables nd interfaces but the Yamaha doesn't seem to have a problem with that. Great piece of kit. I'd definitely get another if it broke.
aen wrote:Well, I flipped some gear in Nashville and came home with this Analog Keys.
And today I finished a video of the keys making a reese bass, being distorted by the Reese Lightning. And this is good.
Dr. Sherman Sticks M.D. wrote:if anyone asks where u been just tell em u got some bad diarrhea
Dr. Sherman Sticks M.D. wrote:lol hey we got the same tapco mixer!
isn't it weird that it doesn't have a power switch!?
Dr. Sherman Sticks M.D. wrote:smallest mixer i found w/ an fx loop! so handy.
lol ah thats nice, i went as far as to find the service manual and take it apart to try to see if i could mod it w/ a switch myself.
not a lot of wiggle room in there and a weird 3 prong power scheme that i didn't fully understand the best way to add the switch.
no bueno
More_Divebombs wrote:I use it for everything. Synths and drum machines go in to the mixer and then into the THR10, into the flat channel, which is perfect for synths and drum machines as its just a clear uncoloured sound. If I'm doing guitar I just go through the pedal chain straight in to the amp.
I find that only one channel, the 'lead' channel (which is just a slightly crunchy clean tone) handles fuzz/distortion pedals well. They sound really tinny on other channels, but sound fine on the lead channel, so I use that as the base for most things. Other channels handle delay and that sort of stuff no problem. It's just picky about dirt. All the channels sound great on their own too. There's loads more effects and cab simulation stuff you can do with the Yamaha software too.
I use it to record everything via the USB out straight into a Daw. I always struggled with latency with cables nd interfaces but the Yamaha doesn't seem to have a problem with that. Great piece of kit. I'd definitely get another if it broke.
Cydonia wrote: Too bad no one here is interested in talking about "gear"
BossMann73 wrote:I didn't insult it......I "curated" a "different aesthetic.".
John wrote:I love how this forum has the GDP of Switzerland in pedals but the collective value of everyone's patch cables is less than the change in my couch cushions. And I don't have a couch.
spacelordmother wrote:
Recently fell under the Elektron spell myself. I work from home, and it can be hard to get things done knowing this is right behind me:
Still figuring out how I want to make things work together (Digitone is great all by itself), but maaaaaannnnn I'm stoked.
Cydonia wrote: Too bad no one here is interested in talking about "gear"
BossMann73 wrote:I didn't insult it......I "curated" a "different aesthetic.".
John wrote:I love how this forum has the GDP of Switzerland in pedals but the collective value of everyone's patch cables is less than the change in my couch cushions. And I don't have a couch.
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