Moderator: Ghost Hip
boleiro wrote:I used to have one and really miss it. The key to getting the shoegazy tones from the HM2 is to turn the gain all the way down and adjust the mids to taste with healthy bass. This give it a "sometimes" tone.
I lost mine, or stolen and have never been able to pull the trigger on another one given the prices. I just got an MT-2 (for 20 bucks) which I can do the same thing, roll back the gain knob and I'm there. I find a lot of those metal pedals are great for shoegaze if you tweak them correctly, which is usually in the opposite direction in which they were intended. Take the gain down and you get some great tones.
Hacken wrote:But he has been stoned for two decades and plays Reggae now a days.
mr. sound boy king wrote:Organic apples are not normal, they are special, like analog, whereas normal apples, like digital, taste sterile and lack warmth.
friendship wrote:y u h8 swoosh woosh
theavondon wrote:On the same note, I only do post-gay. It's based on elements of homosexuality, but with different structures and dynamics. Oh, and lots of reverb.
Hacken wrote:Since we have to talk about the Entombed sound and im drinking beer and listening to Entombed right now i have to say the the leads on Left Hand Path cant have been recorded with an HM-2, coz it does not sound that smooth on the higher strings, its a lot nastier in the high end.
rfurtkamp wrote:I enjoy the HM-2 and variants as last in chain before amp destroyers; can get crackling mean out of ring mods and very pronounced octave ups pretty fast.
grindonomicon wrote:besides good mics.
D.o.S. wrote:grindonomicon wrote:besides good mics.
Good mics are hardly a prerequisite.
theavondon wrote:
FUCK YES THIS ALBUM
anything by matt pike past this point in time is horseshit.
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