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whoismarykelly wrote:Probably more traditional biamping of frequencies rather than tones. I know dude was using a similar setup with BTA and running the different outs of his Warr guitar to different rigs.
ALLisNOISE wrote:you can dial in some wonderfully smeared 12bit cascades of cicadas leveling a hail of rockets against an army of rusty box fans!
goroth wrote: He doesn't use a crossover or anything, just utilises the natural attenuation of the JC120.
K2000 wrote:goroth wrote: He doesn't use a crossover or anything, just utilises the natural attenuation of the JC120.
Are you sure? I would expect some type of crossover or a way to filter out low frequencies. If you send loud, low B tones into a JC120, I would expect to blow speakers.
It's possible that the JC120 has some sort of high pass filter built into the circuit. Me not smart, but something like that exists in PA amps and other electronics (rolls off anything below 20Hz). He might also dial out the lows with the amp's EQ?
ALLisNOISE wrote:you can dial in some wonderfully smeared 12bit cascades of cicadas leveling a hail of rockets against an army of rusty box fans!
Pete wrote:I have nothing to add to this thread, other than to say I'm seeing Gorguts tomorrow, and am stoked.
ALLisNOISE wrote:you can dial in some wonderfully smeared 12bit cascades of cicadas leveling a hail of rockets against an army of rusty box fans!
ALLisNOISE wrote:you can dial in some wonderfully smeared 12bit cascades of cicadas leveling a hail of rockets against an army of rusty box fans!
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