Guess who's got the first batch on the way...Tom. Holy Shit.

Moderator: Ghost Hip


oldangelmidnight wrote:This is the classic ILF I love. Emotional highs and lows. Scooped mids in my heart all day long.



tuffteef wrote:ah yeah i seen these the other day, i kinda want one but it reminds me too much of the blue box or sub octave synth
when are you gunna demo yours jero
oldangelmidnight wrote:This is the classic ILF I love. Emotional highs and lows. Scooped mids in my heart all day long.



Jero wrote:tuffteef wrote:ah yeah i seen these the other day, i kinda want one but it reminds me too much of the blue box or sub octave synth
when are you gunna demo yours jero
I don't have one to demo![]()
and they are nothing like the blue box other than in theory
not that I would know, because I don't have one![]()
tricky thing to master that one


Bellyheart wrote:SNAP! Who builds these again?


zezozeceglutz wrote:These little guys are going to be $125 over at Fuzzhugger.Bellyheart wrote:SNAP! Who builds these again?


theavondon wrote:Anybody make a jizz joke yet?

tuffteef wrote:theavondon wrote:Anybody make a jizz joke yet?
knock knock

theavondon wrote:tuffteef wrote:theavondon wrote:Anybody make a jizz joke yet?
knock knock
Who's there?
oldangelmidnight wrote:This is the classic ILF I love. Emotional highs and lows. Scooped mids in my heart all day long.

Jero wrote:theavondon wrote:tuffteef wrote:
knock knock
Who's there?
jizz joke



The Second Voice is the little brother of Infanem's Analog Harmony
Synthesizer. It retains the exact fuzz and harmony generator circuits
of the Harmony Synth but trimmed down and wedged into a small
pedalboard-friendly 1590BB enclosure.
The harmony is a phase-locked loop-based circuit capable of generating
pitches both above and below the pitch of the input note. The Range
knob controls both the tracking range and the sound of the harmony
with everything from can-of-bees buzz to subharmonic pulses available.
Subtle changes in the intermediate range of the knob change the center
frequency of the harmony and generate a filter-like tonal variation.
Intervals available are:
One octave down (-12 semitones),
A perfect fifth shifted down one octave (-5 semitones),
A perfect fifth (+7 semitones),
An octave up (+12 semitones),
A perfect fifth shifted up one octave (+19 semitones), and
Two octaves up (+24 semitones)
The Blend mixes the harmony voice with either your clean instrument
signal or, with the flip of a switch, a heavy fuzz tone. Roll off your
volume knob to adjust the gate of the fuzz from long sustain to short,
fast-decaying bursts of sound. Infanem values all frequencies so there
is no low-end roll-off at all and the Second Voice is friendly with
any instrument you choose to throw at it. Likewise, the harmony is not
filtered to allow its full frequency range to come through.
Volume and headroom are available in spades thanks to internal voltage
doubling to provide the circuit components with 18V differential power
while operating on a standard 9VDC negative tip power supply.